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With the 2015 release of Blue Neighborhood, Sivan appears to be following his musical muse rather than the movies at present, and given his X-Men history and a certain savoir-faire for self-presentation, he may be crafting himself as the LGBT community’s very first action hero.

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Holding the Man Directed by Neil Armfield Screen Australia, et al. WHILE Australian movies have pursued gay themes before, few until recently have dared to go much…More

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Review of Packed in a Trunk documentary about Edith Lake Wilkinson

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Hopelessness by Anohni Secretly Canadian Records In addition to the name- and gender-change, Anohni has radically altered her musical style on her solo album Hopelessness. Goodbye gloomy chamber…More

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The Judas Kiss A play by David Hare Directed by Neil Armfield Ed Mirvish Theatre, Toronto, March 22–May 1 Brooklyn Academy of Music, NYC, May 11–June 12 …More

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Firefighters were met by a grisly, horrific scene. The lifeless body of Bill Larson, pastor of the newly formed local Metropolitan Community Church, was wedged in a window, his face and right arm protruding stiffly over the street. Several bodies were huddled in a corner, burned and fused to each other. Many of the dead were burned beyond recognition …

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IT SEEMS everyone’s boarding the Sappho boat these days, eager to travel with the ancient poet and tell the world who she was. One person well qualified to be Sappho’s herald and interpreter is singer, songwriter, and musician Jeri Hilderley, who pays homage to the poet with a stirring new CD, Time Traveling with Sappho.

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Big Joy The Adventures of James Broughton Directed by Stephen Silha and Eric Slade Frisky Divinity Productions JUST AS Deep Throat made hard-core pornography more acceptable for the…More

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Dada Woof Papa Hot A play by Peter Parnell Directed by Scott Ellis At the Lincoln Center Theater IN OUR AGE of same-sex marriage and parenting, a play…More

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The first image in Carol is that of a subway grate. Seen up close, it resembles both a baroque tapestry and the gilded bars of a birdcage. What follows is every bit as visually stimulating, and, with compelling performances to complement cinematographer Edward Lachman’s gorgeous camerawork and Haynes’ exacting directorial style …

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