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I WROTE Homosexual: Oppression and Liberation after six months of living in New York City over the winter of 1970-71, when I was lucky enough to become part of the emerging gay liberation movement, and to work for a time on the newspaper Come Out!

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MERLIN HOLLAND is Oscar Wilde’s only grandson and the executor of his literary estate, a position he has held since 1977. A journalist and lecturer, Holland started conducting research on Wilde in the mid-1980’s. His background in industry and commerce preceded a career in academic publishing. At age 63, he is an expert on the life and work of his grandfather. While Holland himself is heterosexual, he remains outspoken against homophobia.

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WHILE COCTEAU IS perhaps best known to Americans for two of the movies he wrote and directed- La belle et la bête (1946) and Orpheus (1949), which figure on most short lists of great French films-he started as a poet and always saw himself as such.

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In this book, Richard Canning, who teaches courses about AIDS literature to college students, has assembled eighteen short stories, written at what he calls “the epidemic’s darkest time of unknowing,” the early 1980’s through 1998. What is startling about these stories, especially for readers who lived through that era, is not how distant but instead how familiar they seem.

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I MUST CONFESS that I had never heard of Agustín Gómez-Arcos’ The Carnivorous Lamb before learning of this new translation of the book, which was originally published in 1975, but now I want to read all of his works. …

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Feeling Backward is a scholarly treatment of queer theory that assumes some knowledge of conventional literary theory. In it, Heather Love makes the argument that we have feelings in common with those who came before us, but early practitioners of queer theory have ignored the effects of oppression on our literature.

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THIS SPRIGHTLY, informative book does a rare thing: it covers entirely new territory in gay literary studies. Queering the Underworld concentrates on the intersection of the fin de siècle phenomenon of “slumming”-that is, taking the bourgeois reader into the urban demimonde-and the emerging expression of gay and lesbian sexual identities.

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IN AS MUCH AS the teenage boy at the heart of Gus Van Sant’s new film has nothing funny or articulate to say, Paranoid Park may become this year’s anti-Juno.

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FOUR FROTHY VIGNETTES, perhaps more properly defined as character studies, are strung together in this new comedy by Paul Rudnick, which I saw in a preview performance in New York. While AIDS and 9/11 are sometimes hovering on the periphery, sometimes presented in startling parallels, the author of Jeffrey (1993) and The Most Fabulous Story Ever Told (1998) keeps the tone light and the jokes rapid-fire.

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… Alistair McCartney spent his youth obsessed with his favorite encyclopedia set, and he has returned to it, as if he’s been haunted by it all these years. It’s a strange, intriguing narrative, mixing fact and fiction, the banal with the apocalyptic, and the nostalgic with the bizarre.

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