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By Vidal D’Costa
After its first season, Our Flag Means Death has amassed a dedicated fan base, particularly among the LGBT community.

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Focusing on the valley in which he grew up, Manuel Muñoz’s stories address issues he grew up observing intimately: immigration, poverty, farm labor, family ties and their unraveling, and where queer characters fit (or don’t) into that environment.

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By Mike Dressel
Spread out over two full gallery floors like synthetic blossoms, the exhibit was comprised of over eighty creations built for performance; the costumes displays queered the notion of what theatrical design can be, blending found materials and foundational concepts with a spirit of radical reinvention.

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By Adam Kocurek
This collection presents its interviewees as a mosaic—a group of unique individuals who, when viewed together, represent the diversity of the New York community.

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By Richard Schneider
Seems it’s been a while since the religious Right went into full freakout mode over a logo or ad campaign, but they pretty much lost their minds over a change in those multi-colored and commercially personified candies known as M&M’s. …

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By Allen Ellenzweig
As Long As I’m Famous wishes to be an exposé of Broadway and Hollywood in the period after World War II; the narrative action mostly takes place in 1948.  It focuses on a half-dozen overlapping relationships, but mostly zeroes in on the young Montgomery Clift …

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By Ignacio Darnaude

CHICAGO’S WRIGHTWOOD 659, a private institution focused on socially engaged art, is currently showing a landmark exhibition: The First Homosexuals: Global Depictions of a New Identity, 1869–1930.

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