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After the ’69 riots, the word “gay” was widely adopted and had a pretty good run. The profusion of identities—some that would have been covered under “gay” but also a few new ones—is nicely captured by the pileup of signs.

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Start with a wildly improbable premise, throw in a huge cast of characters, let them all be Italians, and you’re in for a madcap romp that must set a record for number of words spoken in a 100-minute film.

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The structure of this film may be puzzling and some of the plot devices implausible, but the charisma between its two central characters is enough to draw the viewer into its insular world.

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