ESTABLISHMENT HISTORIANS like to construct closets around certain chapters of American history, and they reserve a special closet for any “founding father” who wasn’t a Bible-quoting Protestant heterosexual. They snarl when revisionist historians point out that many of the founders were Freemasons who didn’t subscribe to their idea of traditional Christian beliefs. One can only imagine their reaction to the suggestion that some of the founders expressed same-sex affections for one another.More
Browsing: November-December 2006
Christopher Bram’s latest book, Exiles in America, which was published by Morrow last August, is an exploration of relationships, religion, global politics, and sex. This is the ninth novel by Bram, whose Father of Frankenstein was turned into the movie Gods and Monsters and renamed accordingly. His other novels include The Notorious Dr. August: His Real Life and Crimes (2001) and Almost History (1992).
I interviewed Chris about this and his other novels, the creative process, being a “gay novelist,” and the state of gay fiction shortly before the publication of Exiles. – Michael BronskiMore
By all rights, British artist Duncan Grant (1885-1978) should need no introduction. At the height of his career in the 1930’s, he was known worldwide, and his art was collected by the major museums within, as well as by many of those outside, the British Empire. Following World War II, however, his work fell into critical disfavor, and his artistic reputation has only been partly resuscitated even today.More
… In Gore Vidal’s America, Australian scholar Dennis Altman takes on Vidal’s critics, both past and present, and offers a useful and timely re-evaluation of his work. …More
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– From craigslist San Francisco (7/26/06)More
THE NARRATIVE VOICEOVER for Velvet Goldmine (1998), Todd Haynes’ film exploration of the 1970’s glam rock phenomenon, opens with the accurate words, “Histories, like ancient ruins, are the fictions of empires.” In his formidable new study, Performing Glam Rock: Gender and Theatricality in Popular Music, Philip Auslander mines the complexly layered history of the “glitter era,” with his focus trained largely on the movement’s heightened sexual overtones.More