Browsing: May-June 2007

May-June 2007

Blog Posts

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35 Cents by Matty Lee Suspect Thoughts Press.  205 pages, $16.95 IN THE WAKE of the recent scandal surrounding the popular yet fraudulent gay author JT LeRoy—not to…More

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In his latest book, Michael Lucey, who has already written about same-sex issues in Balzac and Gide, examines very carefully how three French citizens involved with same-sex desire-Colette, Gide, and Proust-took advantage of the newness and fluidity of the concept of homosexuality to advance his or her own unique viewpoint over competing ones.

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Erzulie’s Skirt by Ana-Maurine Lara RedBone Press.  242 pages, $15. SET IN THE DOMINICAN REPUBLIC, beginning some time after the dictator Trujillo came to power in1930, this book…More

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Turn the Beat Around: The Secret History of Disco by Peter Shapiro Faber and Faber.  369 pages, $17. AN AUTHOR who promises the “secret” history of anything sets…More

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Short reviews of Queer Youth in the Province of the “Severely Normal”, Talking to the Moon, and Mr. Ding’s Chicken Feet.

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THIS IS an eclectic anthology of engaging essays and memoirs whose message is that the desire to be someone other than who we are is an integral and universal aspect of coming of age.

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THIS BOOK is a great idea and, sadly, rather a great disappointment. The subject – broadly speaking, the relationship between the spiritual and sexual aspirations of three key gay male writers of the last century has long warranted investigation. It is only lately, and in passing, that Forster’s engagement with Eastern society and religion has been considered in the context of his sexuality.

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THE COMING OUT STORY is the foundational myth of modern gay life. The term itself dates from outbursts of liberation activity in the late 1960’s and the militant slogan Out of the Closets and Into the Streets.

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IN 1922, “one of the most terrible plays ever presented in New York,” as the Evening Telegram (Dec. 20, 1922) called it, shocked Broadway with its portrayal of a family that lives off prostitution, a father’s failed attempts at Jewish respectability and, most importantly, a riveting lesbian love scene.

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IN 1949, alerted by his friend William Burroughs that his name had appeared in compromising letters seized by police in a drug raid, a 21-year-old Allen Ginsberg worried where to secure his journals and manuscripts of poems lest authorities suddenly descend upon his own apartment and confiscate these records of his drug experimentation and of his inner conflicts over his homosexuality.

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