September-October 2010
WHAT DOES a gay waiter with a soon-to-be transgendered lover have in common with an über-heterosexual writer? Well, as Dwayne Raymond points out in his accomplished memoir Mornings with Mailer, a lot more than one would think.
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A review of A Hundred or More Hidden Things: The Life and Films of Vincente Minnelli by Mark Griffin.
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A review of The Harvard Psychedelic Club: How Timothy Leary, Ram Dass, Huston Smith, and Andrew Weil Killed the Fifties and Ushered in a New Age for America by Don Lattin.
MoreJOHN WATERS’ films have spanned more than three decades of what he calls “good bad taste.” Although he cringes at the designation “openly gay filmmaker,” there’s no denying that his queer, campy, and subversive signature runs all through his body of work.
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IN 1965 AT UCLA, I took a class from Christopher Isherwood, and I recall him saying, “All I can do is to tell stories about my life.” He noted that he found support for this idea in Carl Jung’s Memories, Dreams, Reflections, which had been translated recently into English. And he pointed to Hans Christian Andersen’s “The Snow Queen,” in which “every flower … dreamed its own fairy tale, or its story.” Victor Marsh begins Mr. Isherwood Changes Trains with a discussion of the postmodern concept that the self doesn’t really exist …
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PATTI SMITH’S Just Kids is a memoir about the singer’s relationship with photographer Robert Mapplethorpe (1946–1989). The book resonates with all the portentousness of the Fates spinning threads around inextricably entangled mortals. Just Kids isn’t a lurid exposé but a serious reflection upon creative vision, regeneration, and devotion.
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COMPOSED PRIMARILY of African-American and Latino people, many or most of them transgendered, the House and Ball community is a system of “houses” that participate in competitive drag balls. Centered in New York City, the houses have names like Xtravaganza, Ninja, LaBeija, the Garavani, and so on, and are organized as “drag families” headed by a “house mother.” It’s a community that’s as amorphous, inclusive, and diverse as any other GLBT (or lgbtq, etc.) universe.
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WHY ARE WE still interested in the lesbian hipster? In part it’s because we can’t stop lurking around her pictures on Facebook, which are beyond cute. But it’s mostly because the “lesbian” and “hipster” worlds seem to have converged so naturally that there’s clearly something going on past Generation X/Y’s universal adoption of any eastward-blowing trend-wind.
MoreLAST YEAR marked the thirtieth anniversary of the founding of the Radical Faeries. Since 1979, the Radical Faeries have developed into a vital international gay spirituality and consciousness movement. Along with the AIDS Quilt, the Radical Faeries is arguably the most important ongoing grassroots subculture in the GLBT world at large.
MoreREV. FRED PHELPS gives good curse. Famous for his anti-gay picketing of funerals and other sensational venues, he admits that his vibrant colored signs with provocative epithets (notably “God Hates Fags”) are intended to “get inside people’s heads.” In October, he will receive what he most seeks—national publicity—during an oral argument before the U.S. Supreme Court. The case is critical, and so is an understanding of this man, however tempting it is to dismiss him as a self-parody of bigoted ignorance.
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