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GLR March-April 2024
POEMS & DEPARTMENTS
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GUEST OPINION — How Russian Media Demonize LGBT Peop
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CORRESPONDENCE
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IN MEMORIAM — Three People Who Made a Difference
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IN MEMORIAM — Amber Hollibaugh, Human Rights Activist
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BTW
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HISTORY MEMO—November 1978: The Agony and the Irony
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POEM — “Pleasure"
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POEM — “While I Slept”
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POEM — “Miriam Searches Me Clean with Mediterranean Vowels”
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CULTURAL CALENDAR
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ART MEMO—Ciao! Magazine: The Gay Dolce Vita of the ’70s
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FEATURES
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Figures of the Bay Area
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Butterflies Caught in a Web
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“Outcasts and artists flocked to the city.” Hilary Holladay queries a San Francisco photographer
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One Hundred Years of Togetherness
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Lesbians Against Incarceration
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Carson McCullers’ “Imaginary Friends”
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REVIEWS
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Kaz Rowe — Liberated: The Radical Art and Life of Claude Cahun
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Lois W. Banner — Ideal Beauty: The Life and Times of Greta Garbo
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Assotto Saint — Sacred Spells: Collected Works
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Elyssa Maxx Goodman — Glitter and Concrete
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BRIEFS
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Nick Mauss and Angela Miller — Body Language
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Andrew Sutherland — Queer Opera
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Stephen M. Silverman — Sondheim: His Life, His Shows, His Legacy
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Richard Blanco — Homeland of My Body: New and Selected Poems
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Hannah Levene — Greasepaint
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Darius Stewart — Be Not Afraid of My Body: A Lyrical Memoir
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Lucas Hilderbrand — The Bars Are Ours
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Lost Boys: Amos Badertscher’s Baltimore (art exhibition)
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Bradley Cooper, director — Maestro (film)
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