Film Roundup – Provincetown Int’l Film Festival
We leave Northern Europe behind at last for a passage to India, its climatic opposite, where manicured interiors give way to the crowded indoor-outdoor spaces of a hotter clime.
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We leave Northern Europe behind at last for a passage to India, its climatic opposite, where manicured interiors give way to the crowded indoor-outdoor spaces of a hotter clime.
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John Lithgow stars in the title role—a portmanteau of “Jim” and “grandpa”—as a brilliant and flamboyant professor living in Amsterdam. He’s the grandfather of a nonbinary “grandthing,” as he calls the fifteen-year-old Frances.
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Dreams is a contemporary drama centering on a female high school student that becomes an exploration of three generations of women and a sublimated lesbian love affair.
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WHILE NOT an LGBT event, the Provincetown International Film Festival (PIFF) always offers plenty of grist for this magazine’s mill. My annual dash around P’town turned up several films that I found worthy of consideration for review. Here’s the second of five.
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WHILE NOT an LGBT event, the Provincetown International Film Festival (PIFF) always offers plenty of grist for this magazine’s mill. My annual dash around P’town turned up several films that I found worthy of consideration for review. Here’s the first of five – Strange Jouney: The Story of Rocky Horror.
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Meet Trey Samuel Fetzer, a twenty-year-old Ohio State University student who’s seen here urinating on a rainbow flag that apparently he spotted on someone’s front porch one night last…More
There could be any number of reasons for us to display this cover of The New York Review of Books from May 9, 2024, one of which is slightly…More
Movie Review By Richard Schneider
Merchant Ivory turned it into a film starring Hugh Grant and James Wilby in 1987. Soucy stresses the boldness of this release at the height of the AIDS epidemic.
Movie Review By Richard Schneider
As the presence of Alan Cumming might suggest, Mad About the Boy doesn’t hold back on Coward’s gayness and treats his double life as a leitmotif.
Movie Review By Richard Schneider
Sebastian is a film of dualities. The title refers to the assumed identity of Max, a successful short story writer who’s trying to write a novel and works as a hustler (okay, sex worker) to get material for his fiction.