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ALLEN FRAME is an artist whose interests and curiosity motivate him to create psychologically driven photographic narratives. His photos are images that not only contain clues about his subject’s inner lives but are also reflections of his associations with these images. Similarly, the viewer is asked to free-associate with the presented imagery. His technique encourages us to question what lies beneath the surface image.

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LEGENDARY DRAG PERFORMER and playwright Charles Busch lets it all hang out in his candid new memoir Leading Lady: A Memoir of a Most Unusual Boy (Smart Pop Books). It’s an intensive look back at his life encompassing early memories of yearning to be on stage as a boy and success with his own plays (among them The Tale of the Allergist’s Wife and Vampire Lesbians of Sodom) and various celebrity encounters with people ranging from Milton Berle to Audra McDonald.

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ANGELO MADSEN MINAX creates audacious experimental films of trans embodiment by discordantly juxtaposing present-day footage with Super 8 home movies, animation, staged rituals, and ethereal voice-overs. Chaos and anarchy are embedded in his hybrid cinema of survival, acceptance, and transcendence.

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I FIRST SAW José Villalobos’ work in Houston at a performance art festival, Experimental Action. His performance, in which he stained a solid white, western-style suit with the vibrant magenta juice of prickly pear cactus fruit, was spellbinding. I continue to be fascinated by his exploration of Southwestern culture, queerness, and masculinity.

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An interview with Daniel Heath Justice by Neil Ellis Orts. Justice currently teaches at the University of British Columbia (Vancouver) in their First Nations and Indigenous Studies program. He is an enrolled citizen of the Cherokee Nation. He has published extensively in literary theory and history, his best-known book being Why Indigenous Literatures Matter.<.em>

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WHEN Abstract Expressionism exploded in the 1950s, Edward Melcarth was painting and sculpting construction workers, junkies, and hustlers in an epic style, highly influenced by Renaissance painters like Paolo Veronese and Tintoretto. This link between the past and present was a significant feature of his artistic vision, one that still has a striking effect on the viewer to this day.

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Interview with Paul Rudnick by Frank Pizzoli: PLAYING THE PALACE is Paul Rudnick’s new novel (reviewed in this issue), … He is also a regular contributor to The New Yorker, and his articles and essays have also appeared in The New York Times, Esquire, Vogue, and Vanity Fair. He is currently writing the book for the Broadway musical adaptation of The Devil Wears Prada.
This interview was conducted by telephone in late April.

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MARK DAVIS has been making mobiles out of his studio in the Roslindale section of Boston for almost thirty years. He began making “three-dimensional art” as a boy growing up gay in Indiana. His work has evolved into a unique and original approach that employs color, whimsy, and playfulness to create works of stunning beauty and grace, and of course, balance.

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MICHAEL CALLEN was a force of the universe. As an important first-generation AIDS activist and longtime survivor, groundbreaking queer musician, buzzing gadfly to the powerful, member of the beloved gay men’s vocal ensemble The Flirtations, and co-inventor of Safe Sex, Michael Callen touched the lives and hearts of queer folk profoundly in the 80s and 90s.

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