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The most striking and significant aspect of Plante’s memoir is its form. Comprised solely of a series of fragments, each no longer than a paragraph, The Pure Lover takes on a pensive and elliptical tone that works well with Plante’s themes and content on several levels.

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THIS VOLUME presents itself as the first anthology to include a full range of gay men’s autobiographical writings, and editor David Bergman accomplishes this by presenting about forty entries spanning some 150 years …

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In the introduction to her fascinating study, James Baldwin’s Turkish Decade, Magdalena Zaborowska opens with a striking quote from the writer: “Perhaps only someone who is outside of the States realizes that it’s impossible to get out.”

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IN THE OPENING essay of The Importance of Being Iceland: Travel Essays in Art, Eileen Myles neatly summarizes her career as a writer: “I’m a poet and a novelist, one-time college professor, among other things. Generally as many things as possible.” It is that spirit of openness-the willingness to consider what’s surrounding her at any moment, and its potential for being absorbed into her own writing-that shapes Myles’ visceral explorations of other artists’ works in this book of art criticism.

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IT WOULD SEEM self-evident to readers of this publication that the exclusion of gays or lesbians from a public association is a violation of basic civil rights. The Boy Scouts of America’s (BSA) rejection of gays from membership seems like an obvious injustice, so perhaps a conservative analysis of the Boy Scouts of America v. James Dale case is necessary to explore the complex and fascinating stakes in this balance of rights.

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THE OTHERS is a trance-like excursion into contemporary Saudi Arabian life, where divisions between people inform every aspect of social behavior. Mysterious and commonplace, nationalist yet saturated with American popular culture, Saudi Arabia is a place that makes for a journey both sensuous and strange. And its exploration of lesbian sexuality places it instantly at odds with the extreme social conservatism of the Saudi regime.

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THE HOUR BETWEEN turned into several hours of guilty pleasure. Sebastian Stuart’s coming-of-age story, set in a private, residential high school, brings together Arthur and Katrina, the Will and Grace of secondary education. (He’s gay and she’s flighty.) Their maturing process is set against the battle of administrators at the school.

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On balance, the biggest difference between the two books is their readability. Hart’s memoir is lighter and easier going, a book that you want to read to the end. Agabian’s book, while well-written and insightful, could have ended forty pages before it did. Both are worthwhile contributions to the growing body of personal memoirs from everyday people with an exceptional past.

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AS IF peering through a kaleidoscope of twisted history and distorted time, I could not help but become drawn in by the characters and images that J. J. Sagmiller has created in this delightful romp through the raucous world of early 18th-century London theatre.

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THIRTY-SOMETHING S. Bear Bergman has already lived several lives and is leaving a trail of documents for us fortunate readers to decipher. A performance artist, memoirist, educator, and more, Bergman’s elegantly written collection of essays chronicles life as a gender non-conformist-on the “transmasculine spectrum”-with a laugh-out-loud sense of humor.

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