Many more years went by before Art showed up at the hospital. Slotten’s account of what happened next makes for a tense reading experience. Indeed the entire story of his love for a man who broke his heart sets us up for many pages of suspense. This story is woven in with memories of his young adulthood and middle years spent medically caring for AIDS patients, particularly gay men.
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Ron Athey, a beautifully illustrated catalogue raisonné in which his extensive œuvre is analyzed, comparing him to Jean Genet, Antonin Artaud, and Yukio Mishima. His papers have now been acquired by the Getty Museum, and a new catalogue, Queer Communion: Ron Athey, draws from these archives and includes his art, ephemera, performance notes, scripts, sketches, and both published and unpublished writings.
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Carlos (born in 1939) was an innovator from the start. She began piano lessons at the age of six, but because the family had no money, her father drew a keyboard on a piece of paper for her to practice. At the age of fourteen, Carlos won a Westinghouse Science competition by creating her own computer. Intrigued early on by tape composers like Pierre Henry, she started experimenting on her own. She also became fascinated with the tunings for various keys and, after the family was finally able to purchase an instrument, would often retune it in experimental intervals of her own.
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I wasn’t very far into the novel when I was reminded of Philip Larkin’s most famous poem “This Be the Verse,” which opens: “They fuck you up your mum and dad./ They don’t mean to but they do./ They fill you up with the faults they had/ And add some extra, just for you.” Prodigal is a brilliant 390-page expansion of Larkin’s 12-line lyric.
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In Lady Romeo, Tana Wojczuk seamlessly sets the scene of Cushman’s life against the historical currents of her times. Cushman’s main asset was her remarkable voice, and she determined to use it to lift her family out of poverty. Taller than most men of her time, she had a “lantern jaw” and moved like a “pythoness.” From her first performance as Lady Macbeth, her talent quickly made her the cash cow of New York’s Bowery Theater.
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Short reviews of The Orange Spong; Let Them Eat Cake; and Moonflower, Nightshade, All the Hours of the Day.
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Morris Kight lived a life dedicated to the biblical entreaty “Justice, justice shall you pursue.” His devotion to the value of every individual is inspiring, especially in times such as ours. Mary Ann Cherry has produced an account of a pioneers of LGBT liberation whose achievements deserve to be acknowledged and remembered.
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Never Anyone But You is strongest once the two women retreat from Paris for Jersey and set up house away from the war.
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German, Jew, Muslim, Gay, which goes easy on academic jargon but contains extensive notes and a lengthy bibliography, offers a full look at a writer and thinker who successfully lived in and moved among different worlds. It should bring attention to a long-neglected figure and his writings.
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Memorial has a lot going for it. Composed as a non-chronological patchwork of short paragraphs and chapters, the novel is less punchy and more downbeat than the short story collection. Washington has described his approach to fiction as “traumedy.”
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