Browsing: Book Review

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Reviews of Lot, The Animals at Lockwood Manor, Becoming Man, and Hollywood Chinese.

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Set in Provincetown during the height of the AIDS crisis in the early 1990s, Later is both a love letter to a place and an elegy for the people lost and for a way of life that can never quite be regained.

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Given this relative neglect of his work, Raymond-Jean Frontain’s new book, The Theater of Terrence McNally: Something about Grace, is especially welcome. The culmination of many years of study of McNally’s work and of his voluminous papers at the Humanities Research Center at the University of Texas, the book offers an insightful assessment of the playwright’s entire career. Frontain makes the best case yet for the unity of McNally’s body of work and for the significance of his achievement.

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WHO AMONG US has not wanted to see inside the lives of the most glamorous or intriguing stars of a bygone generation? In Amanda Lee Koe’s debut novel, Delayed Rays of a Star, we get to know three such stars: Marlene Dietrich, Leni Riefenstahl, and Anna May Wong. The novel’s first three chapters alternate between their stories, which are denoted by the symbols Koe uses to mark shifts between characters throughout the book.

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What makes Carter Sickles’ new novel The Prettiest Star different is that it tells the story not only of Brian, a young man dying from AIDS, but also of his family and the suffering, discrimination, and harassment they went through.

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IN What Is the Grass, a dazzling and discursive meditation on Walt Whitman’s poetry, Mark Doty sets out to “see and say” all that his attention is drawn to—both the poetic and the personal—“lifting experience in the direction of another dimension of time, where everything I have loved can be known again, more fully, that my joy in it might increase.”

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Robbins moved on to dance for the newly formed New York City Ballet, which, under George Balanchine, would soon outstrip the French and Russian schools to become the ballet company of the century. His idea for a contemporary Romeo and Juliet, with Bernstein composing again, opened in 1955 as West Side Story.

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            In Toil & Trouble Burroughs writes that he has been a witch since birth and that he inherited his magical talents from his mentally ill mother, someone who has figured prominently in his other books. He doesn’t practice in a coven with other witches but works his magic solo, incanting and occasionally lighting candles to make things happen.

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Paul Baker, a linguistics professor at Lancaster University, has made it the focus of two decades of study and promotion. Fabulosa! presents an engaging version of his dissertation (published as Polari: The Lost Language of Gay Men in 2002). He easily shifts between the complex linguistic genealogy of Polari and its gay cultural history, focusing particularly on the vicissitudes of its usage in the past half century and tracking this usage with gay politics.

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FROM THE START, John Giorno wanted two things in life. In 1958, “I was young and beautiful and that got what me what I wanted and all I wanted was sex,” he recounts in his post-humously published book, Great Demon Kings. What we learn early on in this royal paean to the self is that Giorno (1936–2019), who was a poet, an artist, and an activist, had an insatiable appetite for fame. Upon reading this memoir, one realizes that he possessed a surfeit of libido and ego, in addition to a talent for befriending talented people, to launch him toward this goal.

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