Browsing: Book Review

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BASED ON the age of its characters, Last Night in Nuuk falls squarely in the New Adult market, and the novel closely aligns with current trends in that genre.

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What’s Left of The Night tells the story of the early years of the poet C. P. Cavafy when he was simply Constantine. Set during three days in Paris in 1897 while Cavafy is traveling with his older brother, it shows him slowly discovering his voice and subject matter while exploring the city and remembering its history.

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Sketchtasy, with its detailed and well-researched descriptions of gay life in Boston twenty years ago, is itself educational, showing younger readers what the city was like before the Internet ruined gay night life.

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In I Can’t Date Jesus:, Michael Arceneaux writes about his childhood sexual experiences, his early religious indoctrination, his love for female recording artists (particularly Beyoncé), his struggle to make a living as a writer, coming out, and dating.

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Ginsberg’s major themes involved madness, homosexuality, drugs, his mother’s mental illness, and his critique of society’s repressive rules and roles. These ideas recur throughout his published works, including his journals. Iron Curtain Journals: January–May 1965.

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Bledsoe grew up in Portland, Oregon, and now lives with her partner Patricia Mullan in Berkeley Hills, California. A novelist and nonfiction writer, she has been awarded two National Science Foundation fellowships for writers, and her books have been translated into five languages. Exploration and discovery on a personal and global scale mark her work.

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[Dear America] ends—around the time of Donald Trump’s inauguration—with Vargas confessing to feeling “lost and alone.” He wonders if it’s time to return to the Philippines. Despite this gloomy conclusion, Dear America is a story that highlights one man’s courage, honesty, and humanity in the face of an appallingly callous immigration system.

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ADRIENNE RICH (1929–2012) was a 20th-century poet who wrote essays and criticism with the same ease and effectiveness that she brought to her major craft.

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In Weight of the Earth: The Tape Journals of David Wojnarowicz, we see the artist as vulnerable and self-questioning. For two periods in his life, 1981–’82, and 1988–’89, he ad-libbed into a tape recorder touching on topics such as life in the city versus living close to nature, the distractions that interfere with artistic output, sensitivities about art as self-revelation, the dangers of art-world acclaim, loneliness and isolation, [and] sex as …

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Jim Elledge’s The Boys of Fairy Town brings to life this world in all its multiracial diversity from Chicago’s 1837 incorporation until the 1940s: sometimes hidden in the shadows, but often all the rage and thriving openly.

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