
When Cultures Collide
UZODINMA IWEALA’S powerful, timely novel, Speak No Evil, tells two interrelated stories, told from each of the main characters’ point of view.
MoreUZODINMA IWEALA’S powerful, timely novel, Speak No Evil, tells two interrelated stories, told from each of the main characters’ point of view.
MoreAT FIRST GLANCE, a title like “Gay on God’s Campus” suggests the depressing old tale of gay people’s suffocation in Bible-fog. In fact, nothing about this book is depressing, and it serves as something of a light in the fog, focused as it is on how gay students and their supporters have succeeded in moving their colleges into, if not exactly the 21st century, at least a reasonably modern way of treating LGBT students.
MoreThe Damned Don’t Cry, They Just Disappear: The Life and Works of Harry Hervey by Harlan Greene University of South Carolina Press. 184 pages. $29.99 IN 1993, John…More
Camp Marmalade by Wayne Koestenbaum Nightboat Books. 409 pages, $18.95 Camp Marmalade sounds like a nice place to send gay boys for the summer, but since it…More
As Lillian Faderman’s new biography, Harvey Milk: His Lives and Death, reveals, Milk was not the first openly gay politician elected to public office, or even the first politician of significance to be out about his sexuality.
MoreHas the Gay Movement Failed? by Martin Duberman Univ. of California Press 246 pages, $27.95 WHEN A WRITER puts a question mark at the end of a…More
IT IS CHRISTMAS EVE, and Eddy Bellegueule, the protagonist in Édouard Louis’ second novel, History of Violence, is walking back to his apartment after a night out with friends. …
MoreWhite’s favorite 20th-century Japanese fiction writers are Jun’ichirō Tanizaki and Yasunari Kawabata, and he praises both for showing that “there’s more to contemporary literature than American coffee-cup realism.”What he prizes in these writers, and many others, is strangeness, an idea that runs throughout The Unpunished Vice.
More[Lisa Dordal’s] poetic tales are plainly told, but they shed light on complex experience, including enduring loss, battling depression and grief, and coming to recognize and celebrate her lesbian self. Finding strength in her voice as a poet is a pivotal discovery.
MoreLesbian subjects have been largely erased from history. Consequently, often in the past, and even today, the biographer’s task is made all the more difficult by the subjects themselves, their executors, and their gatekeepers. Tackling erasure requires a special kind of courage and dedication on the part of the biographer, as I discovered in restoring the life of Romaine Brooks. Joan Howard joins this distinguished sisterhood with We Met in Paris.
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