Rather than just offering jingoistic flag-waving, McCaskell measures his celebration of what is clearly a better situation for Canadian GLBTs with a more complex discussion of the limitations of activist organizations around equality on the basis of gender, race, and class.
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[Sarah] Schulman’s The Cosmopolitans is loosely based on a French novel of the 1840s, Cousin Bette by Honoré de Balzac, in which a middle-aged spinster, exiled to Paris from her home in the provinces many years before, plots the downfall of the extended family that rejected her.
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It would be wrong to think that Homintern is a book exclusively devoted to theorizing about the status of homosexuals in Europe. In fact, it sometimes reads as a high-class gossipy travelogue …
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Reviews of Wilde Stories 2016: The Year’s Best Gay Speculative Fiction and DIG by Bryan Borland.
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Conley writes of his childhood without overwhelming passion, as if composing a grocery list, though the reader can sense otherwise. At the time, Conley felt all the emotions that go with being shamed, belittled, and quietly bullied.
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Set in Reykjavik in 1918 as the large Katla volcano in southern Iceland is erupting, Moonstone unfolds against the backdrop of the island being ravaged by the Spanish influenza epidemic, which accompanied the troops home to Iceland after the close of World War I.
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Melville’s letter, in its entirety, forms the conclusion of The Whale, a novel based on the brief, intense relationship between the first truly great writers of fiction in America.
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IF WRITER Constance Fenimore Woolson (1840-1894) is remembered today, it is usually for her close friendship and literary rivalry with Henry James. Both writers had made a pact early in their friendship to burn their correspondence, and much of their relationship remains wreathed in mystery.
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The Glamour of Strangeness presents more-or-less chronological biographical sketches of six artists who attempted to leave behind both their homeland and their cultural identity in order to become part of a radically different culture, one that allowed them to rework their sense of self.
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KIRK FREDERICK’S biography of “male actress” Charles Pierce (1926-1999), Write That Down, greets the eye with an iconic photograph of Pierce impersonating Bette Davis, his signature role.
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