Browsing: Book Review

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Learning to Trust: Australian Responses to AIDS by Paul Sendziuk University of New South Wales Press, 262 pages Positive by David Menadue Allen and Unwin, 243 pages …More

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Davenport-Hines, a British historian and biographer, gives little space to economic theory. Yet there is a subtle case about economics to be made. What makes a great economist? asks the author.

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I Left It on the Mountain: A Memoir by Kevin Sessums St. Martin’s Press. 272 pages, $25.99 “HAVE YOU fucked the angel?” asks Hugh Jackman in the opening…More

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RUPERT BROOKE is one of those figures who continually haunt the periphery of literature, a figure of myth and uncertainty. Chief among his attributes is that he is forever linked with the generation of English poets who perished in World War I.

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Baldwin first came to the attention of a large public in 1949 with the publication of his second novel, Giovanni’s Room, about a white man’s same-sex adventures in France.

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THERE’S A UNIQUE POWER in the raw, organic evidence of an artist at work—unfinished canvases in a paint-spattered workspace, rough studies and drawings, and even the artist’s personal effects. One thinks of Francis Bacon’s famously chaotic London studio, meticulously catalogued and transported, piece by messy piece, to a Dublin museum after Bacon’s death. That quality of the artist at work comes through in Basquiat: The Unknown Notebooks

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THE TITLE of Jane Ward’s book is not meant to be ironic. Her argument is that while sexual activity between straight white men (SWM) does take place, it doesn’t mean that the participants are gay. The book is about exploring the circumstances under which this situation can be said to arise.

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THE AUTHOR of Sex and Unisex begins by quoting Republican candidate Rick Santorum from 2008: “You’re a liberal or a conservative in America if you think the ’60s were a good thing or not. If the ‘60s was a good thing, you’re left. If you think it was a bad thing, you’re right.” Jo B. Paoletti takes up this proposition by analyzing the clothing, hairstyles, and fashionable body types of the 1960s and early ’70s.

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The North Haven Journal illuminates a more intimate story still, Bishop’s relationship with the much younger Alice Methfessel, an administrator at Harvard University, where Bishop had begun teaching in 1970.

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Visions of Queer Martyrdom is essentially the story of the clash between the “muscular Christianity” of the Protestant Church of England and the Anglo-Catho-lics who, while remaining in the Anglican fold, formed a counterculture of their own by turning to Catholic ritual, sacraments, and imagery.

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