What follows is the first English translation (by Mark Oshima) of a piece by the great Japanese novelist, poet, and playwright Yukio Mishima (1925–1970), which appeared in the September 1966 issue of Higeki Kigeki(“Tragedy and Comedy”).

Currently, what passes for camp in popular culture is sadly lacking in this innovative critique. In brief, camp has gone mainstream, and there’s no better example than the current mega-exhibition titled Camp: Notes on Fashion at the Metropolitan Museum of Art, mounted by its Costume Institute, which attempts to piggy- back on camp’s gay legacy during the Stonewall 50 anniversary.

What remains is the problem of reconciling Rand’s professed disgust for homosexuality with her apparent fascination with it in The Fountainhead. Let’s start with the premise that Rand herself was powerfully attracted to men. When entering into the minds of some of her male characters, she may have unconsciously written her own attraction to men into their psyches, finding this a more natural writing task than describing an attraction to women.

The Journalist of Castro Street is the result of copious research and interviewing, though Stoner does not use the narrative style that makes some biographies read like novels. It’s a book by a professor of communication studies about a journalist. It looks at the ethical choice Shilts faced between objectivity and advocacy.

We are currently digesting abundant information about the networks of men the police called ‘sodomites’ before 1750 and ‘pederasts’ after that year.