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GLBT ELDERS experience a number of particular concerns as they age. In a recent study (Shippy, et al., 2001), three in four gay elders reported not being completely open about their sexual orientation to healthcare workers. Discrimination following disclosure of sexual orientation has been reported in nursing homes and senior centers. Social Security and retirement plan regulations deny gay elders access to funds from systems they pay into throughout their working lives, but cannot access due to the unequal treatment of same-sex couples.

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FIFTY. I stretch all I’ve got around it, but barely grasp its half. I thought that cresting at the half-century mark might spark a wrenching essay or clever poem but, so far, the whole thing leaves me flat. Another Monday. Another Monday at the office. Another paycheck on Wednesday I’ll spend on … let’s see … pen refills, shaving cream, jam, and another dozen legal pads that somehow seem to be disappearing with alarming regularity. My pharmaceuticals are due for a refill too, and are pricey, but I can’t have my blood pressure spiking or my gastrics acting up. Certainly not on my birthday. …

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INTERGENERATIONAL RELATIONSHIPS—those in which the two partners are at least twenty years apart—seem to thrive in the gay male world, greatly surpassing the corresponding rate of occurrence in the straight world. It’s a phenomenon that many people have noticed informally, though there isn’t much hard data to confirm its existence or its prevalence.

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IN 1950, playwright André Gide wrote that “in the theater, homosexuality is always a false accusation, never a fact of life.” Vincente Minnelli’s film Tea and Sympathy, which opened on movie screens fifty years ago last fall, revolves around precisely such a false accusation. Rumor and innuendo destroy the reputation of a student at a boys’ boarding school; the boy’s road to redemption challenges postwar conformity, group masculinity, and smothering mothers-but never, of course, the closet. …

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THE DANCE FESTIVAL known as Jacob’s Pillow began as the summer home of Ted Shawn and His Men Dancers in 1933. With that as its lineage, Shawn’s enterprise would seem to be entitled to a gay back-story. Surprisingly, that story has yet to be fully told, and many of the Pillow’s 70,000 annual visitors to Becket, Massachusetts, are probably unaware of this aspect of Pillow history.

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WHEN I TELL those outside the dance world about my interest in same-sex ballroom, their first question is always the same: “but who leads?” This query never ceases to amaze me-how and why has ballroom become primarily about leading and following, about dominance and submission?

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CHOREOGRAPHERS in the U.S. have repeatedly drawn men and metaphors from the world of sports to give their work a sense of authenticity on the concert dance stage. What’s more, the presence of male athletes and athleticism has worked to counter long-held anxieties about the supposed effeminacy of male dancers. To illustrate what I think is a heretofore unexamined use of male athletes in dance, I wish to discuss four dances …

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EVEN BEFORE the morning paper was delivered to my door, I had a long string of e-mails from news groups and organizations announcing the decision in the New York same-sex marriage case. Once again, a major defeat. Over the next weeks, a few more piled up. In the last dozen years, in almost every one of the fifty states, overwhelming majorities in state legislatures or lopsided votes in ballot referenda have reaffirmed that marriage is the union of a man and a woman.

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MOST PEOPLE today don’t know the name of Bruz Fletcher. In the 1930’s, however, all the right people knew his name. Humphrey Bogart, Louise Brooks, Howard Hughes, and Ronald Reagan are just some of the luminaries who laughed, drank, and blushed over the outrageous entertainment Fletcher delivered in his Sunset Strip nightclub. A modern saloon singer before Frank Sinatra or Bobby Short, Fletcher had as clear a voice as either of them, and a lyric wit that tossed off acrobatic rhymes and lavender-tinged triple entendres. This year marks the centenary of the birth of the gay wit known as “The Singing Satirist.”

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