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TO GROW UP gay or lesbian any time before the Internet came into wide use, in most of America, was to experience a profound isolation. There were few places where one could go to see the possibility of a normal life. Many of us wondered whether we were alone in feeling the anomaly of same-sex attraction. Only slowly, as gays and lesbians began appearing in the mainstream media, could youths come to know that homosexuality is out there. Everything changed with the rise of the Internet in the mid-1990’s. …

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… Derrick is not self-hating, homophobic, or confused about who he is. He just doesn’t think he’s gay.

Derrick is not a lone exception. This I discovered through interviewing young women with physical or romantic attractions to women, talking to youths in gay/straight alliances, reading youth stories gathered by others, listening to young people at the annual True Colors conference over the past decade, and reading the scientific literature. …

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WHERE ARE WE in the struggle for gay rights in the United States? Are we in the early stages of what will become a successful mass movement for equal civil rights and respect? Or have we reached the highest point of advance for the time being-where we have persuaded many fair-minded people to disdain homophobia, but have lost the momentum to the well-organized and more powerful forces of conservative backlash? …

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This article first appeared in Salon.com, at www.Salon.com. An on-line version remains in the Salon archives. Reprinted with permission.

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… The most recent studies show that approximately ten million children in the U.S. have one or more lesbian, gay, or bisexual parent. The media present us alternately as either blissfully well-adjusted or angrily screwed up-or ignore us altogether. …

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… That was the beginning of our friendship. Our conversations were few and never about poetry, but I was also reading his work and became intrigued by his use of meter and rhyme. In an era of beat poetry and language poetry and abstract poetry that I couldn’t grasp, Gunn both challenged and comforted me with his formalism. He also excited me with his imagination …

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WHEN EILEEN MYLES speaks of “unwriting” herself, she means letting go of socially imposed elements of her identity and behavior in order to clear a space where she can live in the world on her own terms. Her work not only joyfully and unapologetically proclaims her own authenticity, but also strives to claim a place for this authentic being in the public sphere. She celebrates her unique perspective as a woman, a lesbian, and a child of the working class …

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… If poetry anthologies are any indication of what various segments of society are thinking about at a given moment in time, gay anthologies show not only the importance of rendering visible a love continually at risk. They also trace an arc of how our concept of gay love has changed over time. The first gay male poetry anthologies, which began appearing with the 1973 publication of The Male Muse followed by Angels of the Lyre (1975) and Orgasms of Light (1977), contain many poems that show gay men’s search for an identity. …

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Three young poets who have published their first books of poetry in the last year participated in a “virtual panel,” moderated via e-mail, in early summer. In it, they tackled such slippery questions as whether there’s a “gay æsthetic” and the limits of sexual explicitness in contemporary poetry. The panelists included the following:

Jason Schneiderman … Richard Siken … [and] Aaron Smith.

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THE MARTYRDOM of gay artists has become something of a cliché. Oscar Wilde, if not the first, is perhaps the most famous. But since then were Yukio Mishima, Reinaldo Arenas, and Pier Paolo Pasolini. To this list we could also add the name of the poet Jean Sénac, who’s widely believed to have been the victim of a 1973 Algerian government assassination.

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