Browsing: Music

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The author traces his admiration for the legendary singer-songwriter to his solitary childhood in New Jersey.

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It’s high time we had a CD devoted entirely to piano music by gay and lesbian composers—and not played by just any pianist, but by the internationally renowned David Kadouch. Born in Nice in 1985, Kadouch has been praised for his elegance, insight, emotional power, and eloquence as a performer—all of which are on display here.

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Takes on news of the day.

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THE TENDERNESS of Silent Minds is primarily about musical work and its cultural underpinnings, yet it is fragrant with philosopher Martha C. Nussbaum’s appreciation not only for music but also for the joyous gay life of composer Benjamin Britten and his partner, tenor Peter Pears.

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Alexander’s book is the first full-length biography of Billie Holiday since Donald Clarke’s Wishing on the Moon (1994). Holiday herself wanted to title her autobiography “Bitter Crop,” the last two words of her signature song, the still shocking “Strange Fruit.” Focusing on the last year of her life as a unifying thread, Bitter Crop shifts backward and forward in time, moving briskly through the singer’s life.

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While Bernstein welcomed Richard Romney to Tanglewood, Felicia Montealegre (his fiancée) had to force her way in.

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THE ARRIVAL of Madonna: A Rebel Life, by Mary Gabriel, could not have been better timed. In the fall of 2023, the pop star launched a concert tour, which she called “Celebration,” as a showcase of her greatest hits.

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THE LYRICS from a song in Stephen Sondheim’s dazzling Broadway show Sunday in the Park with George (1983) include these lines: “Bit by bit,/ Putting it together./ Piece by Piece—/ Only way to make a work of art./ Every moment makes a contribution,/ Every little detail plays a part./ Having just the vision’s no solution,/ Everything depends on execution:/ Putting it together/ That’s what counts.” Stephen M. Silverman’s lush, posthumous coffee table compendium of Sondheim’s career, Sondheim: His Life, His Shows, His Legacy, does exactly that. It puts it all together to make an exhilarating work of art in its own right.

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“IF YOU’RE NOT CAREFUL, you’re going to die a lonely old queen.” That’s a harsh caveat, especially when spoken by one’s wife. In Maestro, directed, cowritten (with Josh Singer), and produced by Bradley Cooper, those lines are delivered by Carrie Mulligan playing actress Felicia Montealegre Cohn, also known as Mrs. Bernstein. Cooper also plays the part of Leonard Bernstein, but his performance takes a back seat to Mulligan’s. An Oscar for Best Actress is widely discussed.

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AS A WRITER and commentator for Rolling Stone and NPR, Will Hermes has zestfully illuminated the zeitgeist of various musical movements, placing them within their historical and cultural settings. His latest book is an examination of the complicated genius of Lou Reed, the drug-taking, gender-bending avatar of the leather, goth, glam, and punk music scenes. Many books have been written about the legend, but Lou Reed: The King of New York may well be the definitive biography.

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