A NEW COLLECTION titled The Selected Shepherd is a very welcome arrival that may encourage readers to rediscover an award-winning, fiercely intelligent poet, anthologist, and critic. Gone much too soon at the age of 45, Reginald Shepherd showed in his increasingly stronger collections that he was well on his way to becoming a major force in American poetry.
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Reviews of Coachella Elegy, The City Aroused, Adam in the Garden, Born this Way Science: Citizenship, and Inequality in the American LGBTQ+ Movement, American Poly: A History, Ambivalent Affinities: A Political History of Blackness & Homosexuality after World War II, and Ambivalent Affinities: A Political History of Blackness & Homosexuality after World War II.
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Brief reviews of TEN BRIDGES I’VE BURNT: A Memoir in Verse; DEAD IN LONG BEACH, CALIFORNIA; MATERIAL WEALTH: Mining the Personal Archive of Allen Ginsberg; BOUND: Poems; and IN THE SPIDER’S ROOM: A Novel.
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Interview with poet, Gavin Geoffrey Dillard.
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Homeland of My Body is a substantial compilation of poems from four earlier collections, along with many new poems. Blanco includes references to his private life in many of his works, but he does not write primarily about gay life. Instead, it is his Cuban ancestry and family members that shine through like a Havana sunrise. Ancestry, family history, and Cuban customs are so much at the heart of his œuvre that the theme of gay love is moved to the periphery.
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Yone Noguchi, this handsome Japanese poet from California, might possibly be the New Kid, someone who was young, racially
exotic, and very talented.
For in this quiet novel (Mother’s Boy) — and Gale’s fiction grows quieter and quieter, so even a bomb blast is muffled—Gale refuses to judge his characters. I sense that this is from a genuine generosity of spirit, a desire to allow the characters time to develop on their own. Quietly we learn that to become a mother’s boy requires the cooperation of both the mother and the boy, and it may lead, as in the case of Charles Causley, to some of the finest poems of his generation.
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POET JOHN ASHBERY (1927-2017) is described by Jess Cotton in Critical Lives as “at once notorious and celebrated” owing to the perceived difficulty of his work. Cotton’s short but thorough explication of Ashbery’s life and work does a fine job of placing him both as a 20th-century poet and as a leading figure among gay writers.
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By David Masello: Oliver was never afraid to use certain words in her poems. Cover your ears, for you may be offended. Her language includes nouns and adjectives like beautiful, love, beloved, prayer, loneliness, God, holy, and heaven.
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Short reviews of To the Boy who was Night: Poems Selected and New by Rigoberto González, So Long: Poems by Jen Levitt, and Romantic Comedy: Poems by James Allen Hall.
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