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For in this quiet novel (Mother’s Boy) — and Gale’s fiction grows quieter and quieter, so even a bomb blast is muffled—Gale refuses to judge his characters. I sense that this is from a genuine generosity of spirit, a desire to allow the characters time to develop on their own. Quietly we learn that to become a mother’s boy requires the cooperation of both the mother and the boy, and it may lead, as in the case of Charles Causley, to some of the finest poems of his generation.

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POET JOHN ASHBERY (1927-2017) is described by Jess Cotton in Critical Lives as “at once notorious and celebrated” owing to the perceived difficulty of his work. Cotton’s short but thorough explication of Ashbery’s life and work does a fine job of placing him both as a 20th-century poet and as a leading figure among gay writers.

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By David Masello: Oliver was never afraid to use certain words in her poems. Cover your ears, for you may be offended. Her language includes nouns and adjectives like beautiful, love, beloved, prayer, loneliness, God, holy, and heaven.

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Short reviews of To the Boy who was Night: Poems Selected and New by Rigoberto González, So Long: Poems by Jen Levitt, and Romantic Comedy: Poems by James Allen Hall.

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Along the way, the novel recounts the poet’s early life as the daughter of the founder of the Museum of Fine Arts in Moscow, a credential that would become a liability after the Bolshevik Revolution, her mother’s death, and the poet’s marriage at nineteen to Sergei Efron, who would later enlist in the White Army during the Russian Civil War.

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Almost Obscene contains poems referring to Mary Renault, Stendhal, and Constantine Cavafy, plus a string of poems on mythological and historical figures, including Theseus, Medea, Antinous, and Scheherazade.

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HARDLY FIND  a more diverse group of books than this: one by a pioneering Jewish lesbian poet originally from Poland; one by a French surrealist; and a third by a gay man living in Dallas. All are propelled by completely singular impulses, and all have something wonderful to offer.

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THE POET Algernon Swinburne (1837–1909) can be best described as a colorful eccentric who lived and wrote without shame in late Victorian England, where moral behavior was so strictly regulated that artists with bohemian ideas were performing incredible stealthy feats in order to launch their careers.

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AMERICAN POET Charles Henri Ford (1908–2002) and his “surrogate son” Indra Tamang share a chapter in Scott Herring’s intriguing, fact-filled, opinion-strewn book of bio-criticism, Aging Moderns: Art, Literature, and the Experiment of Later Life, which focuses on six 20th-century Modernist artists and writers.

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Reviews of Queering the Green: Post-2000 Queer Irish Poetry, My Mother Says, Invisible History: The Collected Poems of Walta Borawski, Swollening: Poems, Friedrich Nietzsche (Critical Lives), and the album Homosexual by Darren Hayes.

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