Seventeen years after the U.S. series ended, Queer as Folk has gotten yet another makeover. At the helm this time around is Stephen Dunn, writer-director of 2016’s Closet Monster. The setting is pushed south and west, this time to New Orleans. But why re-reimagine Queer as Folk in 2022?

We Are Who We Are and Industry run parallel in many respects. Both cross the lines of the professional and the personal and offer further evidence of queer youth culture’s dismissal of sexual identities, as words like “gay,” “straight,” “lesbian,” “bisexual,” and “trans” go unmentioned.

            With its alliterative subtitle, “Murder, Mayhem and Madness,” Tiger King is a true crime show that filmmakers Eric Goode and Rebecca Chailkin assembled out of footage stretching back five years. It’s Duck Dynasty meets Shittown (a must-hear of the early podcast era that also spotlights a redneck’s queer quirks and criminality).

MTV recently decided to morph its Are You the One? franchise into a “sexually fluid” experiment. In the new season of the show, called “Come One Come All,” sixteen people live in a mansion together in an attempt to discover who is their “perfect match.” At the end of the season, if all eight perfect-match couples are together, they share a prize of one million dollars. In this new season, each of the sixteen people identifies as bisexual, pansexual, or simply as fluid, resulting in each person having fifteen possible perfect matches rather than seven as in previous seasons, based as they were upon a cisgender–heterosexual model, where women only matched with men.

American Crime Story:  The Assassination of Gianni Versace 9 episodes written by Tom Rob Smith The FX Channel A  FRESH POLAROID of fashion icon Gianni Versace dying on a rickety…More