Daring to Speak Its Name
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Published in: September-October 2024 issue.

 

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THESE LETTERS END IN TEARS
A Novel
by Musih Tedji Xaviere
Catapult. 240 pages, $27.

 

CAMEROONIAN WRITER Musih Tedji Xaviere’s debut novel, These Letters End in Tears, focuses on the illicit love affair between two women who are willing to risk their lives to be together. Bessem is Christian and Fatima, or Fati, is Muslim, and they meet on the eve of entering college. As the title suggests, the book opens with a letter and an impending sense of tragedy that lingers throughout. This is a moving story set in the present day that illustrates the toll of anti-LGBT attitudes in Cameroon.

            A former colony of European powers (first Germany, then England and France after World War I), Cameroon condemns homosexuality as part of its colonial legacy. Indeed, Cameroon is one of the most dangerous countries for queer people in the world. Homosexuality is punishable by imprisonment, often with large fines, and someone who’s convicted loses many civil rights. Writing this novel was a brave political act, and publishing it endangered the author’s life.

            In the novel, Bessem is a university professor who is still mourning the loss of her first love, Fati, who disappeared thirteen years ago while they both were still in college. She goes in search of Fati, joined by her gay friend Jamal. After several dead ends, Bessem knows she will have to engage with Fati’s brother Mahamadou, who had beaten and jailed Fati for her lesbianism. He is now a respected and married imam. Though he still sparks fear in Bessem, she decides to visit his mosque and engage him by telling him that she would like to become Muslim. Despite memories of his abuse towards Fati, which continue to haunt her, and even knowing that he could report her, she continues meeting with him ostensibly about the proposed conversion.

            Bessem reveals many of these memories in the letters she writes to Fati, which refer to harrowing details about what Fati had to endure at the hands of her family. By associating with Mahamadou, Bessem understands that her own sexual identity could have negative consequences, that he could force her to present herself as heterosexual. Jamal himself has had to forswear his queer identity in favor of heterosexual marriage after his job was threatened by a student’s accusation that Jamal had sexually harassed him.

            The ending is not unexpected, but it doesn’t detract from the powerful and moving final chapters. There are few Cameroonian queer novels, and the bravery it takes to identify as LGBT in a country that persecutes this community is a bold act of queer courage.

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Monica Carter, the national program director for LGBTQ Writers in Schools, is based in Bennington, VT.

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