Blog Posts

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CLOSET SONNETS is structured in one of those postmodern ways that remains intriguing. The text is supposedly the life work of G. S. Crown, a thoughtful if somewhat conventional scholar, professor, husband, and father.

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Reviews of the following books: Our Time: San Francisco in the ‘70s; Pride and Joy: LGBTQ Artists, Icons and Everyday Heroes; How to Survive a Summer: A Novel; Any Other Way: How Toronto Got Queer; So Famous and So Gay: The Fabulous; and Kingdom Come: A Fantasia.

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What accounts for the range of differences in acceptance of gay, lesbian, bisexual, transgender, and queer persons throughout the world?

In Cross-National Public Opinion about Homosexuality, sociologist Amy Adamczyk has woven an impressive tapestry of nuanced answers to this urgent and complex question.

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In Lou Harrison, Bill Alves and Brett Campbell have written an eminently scholarly, fair-minded, and exhaustive biography of a composer they claim enjoyed “one of the richest lives ever lived in American arts.”

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In The Province Of The Gods is a finely honed philosophical and autobiographical reflection on transcendence and self-acceptance.

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FANS of lesbian icon Jane Rule will celebrate the publication of her letters to a man whom she came to love. Less familiar to U.S. readers, Rick Bébout—editor of the Toronto gay paper The Body Politic and the book Flaunting It: A Decade of Gay Journalism from The Body Politic.

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Like The Invention of Love, Housman’s Country is a love letter to a vanished time. What the poet cries out for in his final speech in Stoppard’s play is “Oxford in the Golden Age!”

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Despite the predictable but disturbing litany of abuse, Ma-Nee Chacaby emerges as a talented visual artist and a heroic survivor who eventually nurtures both children and adults in need.

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Once immersed as a soldier in the Weather Underground, whose leaders turned authoritarian and cruel, Jonathan Lerner became fearful of his comrades. Decades later, he has written a memoir about this era titled Swords in the Hands of Children.

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