Nicoletta’s images in LGBT San Francisco can be read as an epic narrative: not a static moment but an unfolding drama. There are images of Sean Penn and Harvey Milk placed side-by-side, and there are juxtaposed reenactments such as: Supervisor Harvey Milk’s Inaugural Walk from Castro Street to City Hall
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In Jane Crow, Rosalind Rosenberg delineates Murray’s education, career, and personal life in the context of American history.
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Jonathan Strong’s new novel, Quit the Race, deals with the challenges of old age. A persistent theme of his writing, the difficulty of knowing another person or even of knowing one’s own heart, permeates this latest addition to his impressive œuvre.
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Book reviews of Prince Harry: Boy to Man, “The Man Who Thought Himself a Woman”, Guide to Manly Health & Training, and Queer Dance: Meanings and Makings.
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CLAUDE CAHUN may not be particularly well known outside the art world, but this highly readable biography of the 20th-century French writer, artist, and photographer ought to help change this situation.
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At times Venkatesh’s categorization of Maricón and New Maricón cinema comes across as a distinction between “gay” and “queer” films. To an extent this analogy holds true.
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In After the Blue Hour, the narrator bears the name of the author himself. A preface informs us that the 24-year-old John Rechy has received a letter, forwarded by his publisher, from a man who admires two short stories recently published in magazines, and extends an invitation to spend the summer with him on his private island.
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Afterglow, based in part on S. Asher Gelman’s own experience with an extra-marital relationship, shows that he can write strong individual scenes for his actors that have the ring of truth.
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Lane’s performance in this production is simply jaw-dropping. Kushner’s pleasure in writing such a dark character is evident: he gave Cohn a lot of the best lines.
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Florine Stettheimer is remarkable as a woman and artist because, although a privileged white intellectual, she knew that she had both the freedom and responsibility to represent what she saw as the truth.
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