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Reviews of the films God’s Own Country, Tom of Finland, After Louie, and Beach Rats.

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THE TITLE of this eight-part series that aired on FX refers to the famous feud between those titans of Tinseltown who costarred in What Ever Happened to Baby Jane?, Bette Davis and Joan Crawford.

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Two anthologies put together before Trump’s nomination and published before his election encourage reflection on our recent history and its lessons. They also complement one another well and deserve to be read together.

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HORROR WRITER H. P. Lovecraft (1890–1937) often used the word “queer” in his stories. Old architecture, tomes of forbidden knowledge, and unholy religious rites were all described as queer. From the context, a reader assumes he used it as an archaic synonym for “strange.”

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Over the course of three summers, Mark Seliger photographed seventy transgender women and men, representing a range of ages, races, and gender expression. On Christopher Street is his celebration of their lives.

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The New Old Me is animated by humorous takes on L.A., like the obsession with exercise. Maran describes L.A. workouts as wildly more intense than those of the Bay Area. In her old Berkeley gym, “the first drop of sweat was my signal to stop, sit down, and have a cold drink,” …

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Making discoveries—sometimes unwanted ones—is the subject of McClintock’s memoir, My Father’s Closet. As McClintock, a psychologist specializing in family secrets and shame recovery, writes: “There’s such a fine line between intuitive knowing and actual knowing.” In retrospect, of course, all the clues about a father’s hidden sexuality may suddenly align, from separate bedrooms to annual solo trips to New York.

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Toward the end of Jews Queers Germans, the description of the breakdown of government in the Weimar Republic, with the various political parties fighting for power, can sometimes be overwhelming.

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If you haven’t read [Trebor Healey’s] award-winning novels Through It Came Bright Colors and A Horse Named Sorrow, his new book Eros and Dust is a great introduction to his work.

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In keeping with its name, Gently Down the Stream proceeds at a leisurely pace, but Gabriel Ebert’s hyperactive Rufus keeps the emotional narrative percolating.

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