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Mallon’s investigation of Kallman reads like an autopsy, even though the reader is warned that his story “is inspired by actual events considerably altered by the author’s imagination.” Yet there’s an authenticity that’s both frightening and compelling. Mallon has pierced the heart of darkness at the root of Kallman’s soul. Kallman might deserve to be forgotten, but Mallon’s portrait of a sad thwarted tragic talent as a sour parable on ambition is unforgettable.

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Short reviews of To the Boy who was Night: Poems Selected and New by Rigoberto González, So Long: Poems by Jen Levitt, and Romantic Comedy: Poems by James Allen Hall.

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George Austin Dennison and Charles Frank Ingerson’s 55-year relationship is at the heart of The Splendid Disarray of Beauty, and it’s what readers of these pages may find most fascinating.

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CATHERINE LACEY’S new book, Biography of X, is an innovative novel chronicling the life of an influential, outré, fictional performance artist named X, narrated by her grief-stricken widow, an investigative reporter, CM Lucca, who is contemplating suicide. Angered by a recent unauthorized biography of X written by a man who never even met her, CM decides to write her own “corrective” biography of X.

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Shapiro has many reasons to be cheerful. He is tall and good-looking and has a devoted husband, a great job, famous friends, and a singing voice that landed him a job with the band Pink Martini. For those of us less blessed, all of this can be a bit overwhelming. What makes The Best Strangers in the World worth reading is the inside view it provides on reporting the news for NPR and on being a gay man in this world, one who came of age in the 1990s.

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Death in the Sauna exposes the political, financial, and international world of AIDS research, showing that not all such organizations are as altruistic as they appear: greed and corruption rear their ugly heads. It also brings to light the homophobic forces working against these organizations, which force men like Lister to remain in the closet to keep the funding flowing.

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In his reconsideration of Midnight Cowboy, Jon Towlson suggests that, when seen from all of these perspectives, the film represents an important turning point in the presentation of gay themes—not quite a celebration of gay male bonding but a crucial step in this direction and thus a forerunner to many films that followed.

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By Mike Dressel: The fullest expression of Dazzle’s work comes in his partnership with MacArthur Genius grantee Taylor Mac, with the entire fifth floor of the museum devoted to the stage costumes he made for A 24-Decade History of Popular Music. This was Mac’s queer retelling of U.S. history through the American songbook, a lesson in the past reframed through the lens of marginalized people.

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Kijak’s documentary, Rock Hudson: All that Heaven Allowed, wants to show how Hudson was the ultimate victim of the “celluloid closet,” as film historian Vito Russo called it back in 1981. This was the same year in which Hudson underwent quintuple bypass heart surgery due to his pack-a-day smoking and alcohol intake.

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TAYLOR MAC is a boundary-breaking theater artist whose creativity and accomplishments defy categorization. In a career spanning 25 years to date, the actor, playwright, performance artist, director, producer, and singer-songwriter has racked up a slew of awards and nominations in their many fields of endeavor. Their work has attracted the attention of numerous scholars and writers, whose critical essays on Mac have been collected by David Román and Sean F. Edgecomb in the aptly titled The Taylor Mac Book.

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