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ONE THEME of this extraordinary exploration of a hidden gay story concerns the lessons parents teach their children—two sons, in this case, coming from vastly different circumstances.

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            For many people, these paintings seemed to expose the true, animal nature of humanity, which, after the devastation of two world wars, could no longer be viewed as civilized or a force for good.

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            Vice Patrol is a compelling and important book. It shows us how the diverse interests and competing claims about the policing of gay lives in the postwar years played out in the courts. It reminds us how the criminal justice system was deeply enmeshed in, and transformed by, the larger cultural struggles over the meaning of same-sex desire.

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            Although King would have you believe she is a great champion for social justice, she’s closer to Booker T. Washington than to Ruth Bader Ginsburg. Like Washington, a master fundraiser and consummate people pleaser, King has always played to the crowd and kept an eye on the bottom line.

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            The idea that Hansberry came out of nowhere to become an overnight success with A Raisin in the Sun is one of the misperceptions that’s dispelled by two new books on Hansberry, which show her to be a passionate and dedicated writer, artist, thinker, and activist.

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Tóibín knows a thing or two about famous writers who were repressed homosexuals.  Mann was not afraid to recount his furtive gay encounters in his journals.

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VETERAN ACTIVIST Peter Staley attained a new level of notoriety after appearing in David France’s Oscar-nominated documentary How to Survive a Plague (2012). The film follows several key members of ACT UP as they perform various acts of political theater, from occupying the headquarters of a big pharma corporation to draping a giant condom over the house of notorious homophobe Jesse Helms. 

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Tripp made a point of letting Kinsey know that he was homosexual and was writing a book on the subject (which became
The Homosexual Matrix).

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In 1927, Arnold Pyle (1909–1973), one of Wood’s former students, became his assistant. Pyle was eighteen and Wood, 36. Good-looking, tall, athletic, with thick black hair, the heterosexual Pyle epitomized the type of man Wood continued to fall for, over and over, throughout his life.

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Willa Cather aspired to the status of Artist while living with, and getting help from, a very intelligent woman (Edith Lewis) who had given up the arts to earn a living by selling soap.

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