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As a bilingual Colombian-American immigrant who arrived in Florida in 1966, Manrique’s life as a writer and a gay man during a time of enormous social change has given him a unique and instructive view of the American writing life—American as in all of the Americas.

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As I write this, the new coronavirus has appeared in all fifty states and around the world. Numbers of cases are rising rapidly in the U.S., but testing continues to be spotty.

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AS I WRITE, covid-19 is racing through the U.S. population, with the number of infected climbing exponentially. News about the pandemic is all-consuming, as is its impact on everyday life.

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Along with unilateral nuclear disarmament, [Deming] soon added racial equality to her agenda and, by the end of the 1960s, radical feminism and lesbian rights.

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[A]s Maria DeGuzmán puts it in jargon-laden prose in her new book, Understanding John Rechy, his “critique of U.S. society and its expectations and delusions [is] achieved through the protagonists’ dissent from compulsory heteronormativity.”

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Annemarie Schwarzenbach’s work is widely available in its original German and translated into French and Italian. Two of Schwarzenbach’s books, in English translations by Lucy Renner Jones and Isobel Fargo Cole, have been published by Seagull. Her photographs are in the Swiss Literary Archives in Bern and in the public domain.

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Lemebel’s arc from pariah to celebrated author, embraced by his own people—indeed a queer Chilean folk hero—is unlike any other.

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