By Brian Alessandro
Inspired by Alfred Hitchcock’s […] Rope, […] Messy White Gays imagines a Hell’s Kitchen brunch during which the hosts must hide the body of their throuple partner in a Jonathan Adler credenza.
By Brian Alessandro
While Allen Ginsberg might have “seen the greatest minds of [his] generation destroyed by madness,” the Lower East Side’s Metrograph theater hosted some of the greatest minds of ours…
By Brian Alessandro
Like the novel by William S. Burroughs on which it is based, Luca Guadagnino’s film adaptation of Queer is less about homosexuality than about the agonies and ecstasies of being a soul trapped in an aging, alienated body.
By Brian Alessandro
There is a valid concern that portraying an LGBTQI character as foul in fiction could make our place in the world tenuous.
The Gay & Lesbian Review
