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By Francis Buseko
While Dakan made waves as the first openly West African queer love story, its significance extends far beyond its historic debut.

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By Brian Alessandro
Like the novel by William S. Burroughs on which it is based, Luca Guadagnino’s film adaptation of Queer is less about homosexuality than about the agonies and ecstasies of being a soul trapped in an aging, alienated body.

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By Tae Ho Kim
An adaptation of the novel of the same name, which was long-listed for the International Booker Prize, the show will interest anyone curious about learning more about the gay scene in Korea, not merely as a piece of entertainment, but also as a sociological documentary.

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By Dale Corvino
We the Parasites is a deeply personal and ekphrastic poem-as-essay. It pursues its end to contaminate criticism with the queerest of methods. Dig in.

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By Steve Warren
The title, Queen Tut, is essentially a spoiler. Our young hero, Nabil (Ryan Ali), doesn’t choose it as his drag name until near the end of the film.

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By Leslie Absher
McCray’s writing focuses on his complex identities in an expansive and non-reductive way. Each a worthy subject, McCray unpacks all facets of his identity, as they are also portals into further exploration.

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Julian Carter in conversation with Jonathan David Katz about Carter’s new book, Dances of Time and Tenderness, published June 2024.

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