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A slice of home security footage that went viral shows two Mormon missionaries arriving at a front door somewhere in Indiana and noticing a doormat with the words “Gayest…More


By Geoff Cadman

That Gay Pride day on July 1st 1972 was filled with hope and determination and much has been achieved since. I do not like the huge cracks appearing in those first laid foundations. Below is my story from that sunny day in London, in the Summer of ‘72.


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By Felice Cohen

What makes a love affair memorable? If it’s your first? Being caught in bed by your lover’s partner? Your first love dying? In my experience, it was all the above.


Book Reviews

Short Reviews

Brief reviews of Abuela in Shadow, Abel in Light; Places of Tenderness and Heat; House Fire; Queer Nature; Verdant; Dot & Ralfie; and Immoral, Indecent & Scurrilous.

Cruising As an Institution

When this writer traveled to Boulder, Portland, Dallas, and St. Louis in the 1970s, gay men in those towns recognized that what I was doing before meeting them was “cruising,” even though few in their space and time knew how to do so.

What Keeps Opera Alive?

The Impossible Art ends with a magnificent examination of Mozart’s masterpiece Le nozze di Figaro, which Aucoin deems a work capable of transcending opera’s impossibility, indeed a work that “achieves an aerial view of the human soul.” That chapter, “Music as Forgiveness,” the shortest in the book, left me full of gratitude—to Aucoin for writing so beautifully and to Mozart for writing so heartbreakingly.

Wilde Up Close and Far Away

FOR A 19TH-CENTURY author, Oscar Wilde is astonishingly present in today’s culture—far more mentioned and quoted than even a perennial favorite like Mark Twain. This, I believe, is due to a combination of factors.

A Novelist of Moods

The Kingdom of Sand—a smarter reader than I might be able to explain the title—is a book without a traditional plot, and only a writer with Holleran’s skills could manage to hold his readers without the conventional twists and surprises of most novels.

Ere Shakespeare

On the Queerness of Early English Drama is divided into two parts. The first, “Queer Theories and Themes of Early English Drama,” provides the theoretical underpinning of Pugh’s analyses of the plays discussed in the second part, “Queer Readings of Early English Drama.”

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