Browsing: November-December 2022

November-December 2022

Blog Posts

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MARPHEEN CHANN’S name may not be well-known outside of Maine, where Chann is a community organizer, a public speaker, and recently became Portland’s first Cambodian American elected official, as a member of that city’s charter commission. In his new memoir Moon in Full, he comes across as a tremendously likable, openly gay man who overcame all the odds.

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            At first glance, Making Love with the Land looks like a departure from the author’s poetry and fiction, but anyone who has read his earlier work will recognize Whitehead’s characteristic honesty, humor, and deeply traditional worldview in which humans, animals, and plants are interconnected and all equally important.

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Grimsley’s tenth novel, The Dove in the Belly, is a worthy but somewhat problematical work that ostensibly shares the theme of Dream Boy and Boulevard, that of a timid, newly out gay man who becomes obsessed with an apparently straight man, with the possibility of violence ever present.

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Brief reviews of School Days: A Novel by Jonathan Galassi, Liarmouth: A Feel-Bad Romance by John Waters, and Harold Norse: Poet Maverick, Gay Laureate.

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            Lucioni enjoys a reputation as the “painter Laureate” of Vermont, and on the face of it, he looks like many American scene painters of the 1920s and ’30s. Picture a very different world from the one we find ourselves in now, a rural America before the Civil War. Imagine pristine mountains, upland pastures, aging barns, silos, and an occasional church spire. Communities are tidy, neat, predictable, and secure in their routines.

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Seventeen years after the U.S. series ended, Queer as Folk has gotten yet another makeover. At the helm this time around is Stephen Dunn, writer-director of 2016’s Closet Monster. The setting is pushed south and west, this time to New Orleans. But why re-reimagine Queer as Folk in 2022?

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