A bimonthly magazine of
history, culture and politics.

Browsing: November-December 2025

November-December 2025

Blog Posts

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WHAT FOLLOW are “ethnographic journeys” not only in the sense that they transport us to non-Western cultures, but also because they represent a personal journey for writers in search…More

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Discrimination against Dalit trans people dates back to the colonial era, when the Raj criminalized gender-nonconforming people from marginalized castes.

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Short reviews of The Paris Express, The Art Spy, Memoir of a Reluctant Giant, Julian’s Debut, The Portable Feminist Reader, and Love in the Lav

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THERE REALLY IS no point in trying to separate Christopher Isherwood’s writing from the details of his life. His prolific use of those details has led critics to classify his works as examples of “autofiction.”

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GAY POET Constantine Cavafy (1863–1933) has been called the greatest Greek poet of the 20th century, a serious statement about a nation that produced Yiannis Ritsos and Nobel laureates Odysseus Elytis and George Seferis. Cavafy did not actually visit Greece until his late thirties …

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I FIRST LEARNED of Max Ewing while researching gay photographer George Platt Lynes. Ewing makes several appearances in the Lynes narrative, both as a young man who moved alongside Lynes in New York’s bohemian circles and as a fellow artist. Ewing used portrait photos to create his own pantheon of artists, movie stars, personalities, and handsome young men—actors, dancers, bodybuilders, and models who caught his eye.

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Today, African LGBT activists are reclaiming these legacies. In Angola, organizations like Iris, an LGBT rights group, draw on chibado traditions to advocate for trans rights, hosting cultural festivals that echo ancient rituals.

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IN MAINSTREAM LGBT CULTURE, a person’s identity is often defined by the act of “coming out” to family, friends, and others. Many Native Americans who identify as Two-Spirit see it differently. Cree Two-Spirit scholar Alex Wilson describes the Two-Spirit journey as one of “coming in,” a reframing that shifts the focus from public disclosure to a return—a reclaiming of one’s place within family, community, culture, and land.

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