In Search of a Lesbian Stage Tradition
The following paper was first delivered at the New England Women’s Studies Conference in March 2005.
THERE ARE many challenges in writing lesbian-feminist plays, and today I want to talk about two of them. The first is working without antecedents in the popular consciousness, without a canon of lesbian dramatic work from which to draw. The second is the particular kind of audience response to the work which generally results from this lack of a cultural context.
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