My Mother, Not Myself
AWARD-WINNING Scottish poet, playwright, educator, and novelist Jackie Kay may not yet have the name recognition in the U.S. that she deserves, but Queen Elizabeth appreciates her …
MoreSeptember-October 2011
AWARD-WINNING Scottish poet, playwright, educator, and novelist Jackie Kay may not yet have the name recognition in the U.S. that she deserves, but Queen Elizabeth appreciates her …
MoreKaufman, who lives on Manhattan’s upper West side with Jeffrey LaHoste, his artistic collaborator and life partner of over twenty years, took time out from tweaking preview performances of One Arm to speak with me.
MoreFIFTY YEARS AGO, the Freedom Riders made history. It was an ugly time, much more divided and dangerous even than our own. … One rider was an Episcopal priest in his late thirties: a sexually confused, former Hollywood executive named Malcolm Boyd …
MoreBY A SAD COINCIDENCE, two prominent pioneers of gay theatre who shared the same surname died within weeks of each other. Lanford Wilson died on March 24 at age 73 at his home in Sag Harbor, Long Island …
MoreI WRITE in two capacities: first, as someone who counted Michael Hattersley among my very closest of friends, and second, as the editor of this magazine, to which Michael was a frequent contributor over a fifteen-year period. …
MoreLetters to the Editor
MoreONE of the most uplifting responses to the wave of gay teen suicides that occurred in the fall of 2010 was the ‘it Gets Better’ campaign launched by columnist Dan Savage.
MoreAs proof of the show’s growing popularity, five million viewers caught the Season Two finale, while more than twice that number tuned in for weekly installments of Season Three. The show’s political subtext has even attracted scholarly attention: the collection True Blood and Philosophy (2010) includes such chapter titles as “Coming Out of the Coffin and Coming Out of the Closet” and “Sookie, Sigmund, and the Edible Complex.”
MoreTHE CHIEF PLEASURE of this varied anthology lies in its imaginative breadth. Editor Connie Wilkins has collected fourteen stories from established and emerging writers of GLBT fiction that speak to both the “queer” and the “histories” of the subtitle
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