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By Susan Olmi
It was so easy that for a long time I didn’t understand what that sensation of being constantly ecstatic and slightly breathless was. It finally struck me when I realized that I had fallen for a friend of mine.

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Focusing on the valley in which he grew up, Manuel Muñoz’s stories address issues he grew up observing intimately: immigration, poverty, farm labor, family ties and their unraveling, and where queer characters fit (or don’t) into that environment.

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By Rich Nelson
I was sixteen in 1968, when I first saw him. I had remained silent in concealing my emerging and persistent-and terrifying-affection for the male form.

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By Mike Dressel
Spread out over two full gallery floors like synthetic blossoms, the exhibit was comprised of over eighty creations built for performance; the costumes displays queered the notion of what theatrical design can be, blending found materials and foundational concepts with a spirit of radical reinvention.

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