By Brian Alessandro
Like the novel by William S. Burroughs on which it is based, Luca Guadagnino’s film adaptation of Queer is less about homosexuality than about the agonies and ecstasies of being a soul trapped in an aging, alienated body.
By Tae Ho Kim
An adaptation of the novel of the same name, which was long-listed for the International Booker Prize, the show will interest anyone curious about learning more about the gay scene in Korea, not merely as a piece of entertainment, but also as a sociological documentary.
By Akram Herrak
I don’t know what I expected from a gay bar—the closest I’ve ever gotten to being in one was when I went to a drag show in Beirut, Lebanon, and still, the place was filled with large groups of friends and a few straight couples…
By Leslie Absher
McCray’s writing focuses on his complex identities in an expansive and non-reductive way. Each a worthy subject, McCray unpacks all facets of his identity, as they are also portals into further exploration.
By Scott Terry
I was still rodeoing, but had given up bull riding. During hunting seasons, a hunting rifle was hanging in the gun rack in the back window of my truck. Being murdered didn’t seem likely, if I could successfully conceal that I was gay.
By John Manuel-Andriote
Aging without the friends and lovers we expected to know all our lives, deep sorrow lurks, always, just beyond our laughter. How has it impacted our lives in the twenty-first century?
By Michael Varga
I want to complain about being an outlier, but the minute I begin to form the words, I catch myself. You see, I have been an outlier before. And then, I had no complaints.
By Cory Allen
I didn’t realize it then, but it took us years to figure out who we were, come to terms with what it meant to be LGBTQ, relearn our identities, and find our footing in the world.
By Mike Coleman
In the 1980s, when I came out and bought a home with my then-partner and now-husband, my sister mailed a Jehovah’s Witnesses pamphlet to me describing homosexuality as an abomination.
By David Masello
In Stephen McCauley’s eighth novel, You Only Call When You’re in Trouble, the main figure, Tom, is a suddenly-single gay architect living in Cambridge, Massachusetts, who specializes in designing “tiny houses” for high-end clients.
