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WITHOUT APOLOGY, without frills-brought to you by Scapegoat Publishing, whose motto is “Blame Us”-Jack Malebranche hacks away at longstanding myths about the gay community in this new book. These myths as he sees them are embedded in the full title of his book, whose four elements I propose to analyze by way of review.

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In this memoir, which is also a cookbook, [Marusya Bociurkiw] covers some well-traveled territory in lesbian literature-a mildly dysfunctional family that was “full of ghosts,” the struggle of coming out, lesbian love affairs gone wrong, progressive politics-yet her lovely prose style elevates the mundane.

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FANS of Armistead Maupin’s magnificent “Tales of the City” series have a reading treat awaiting them. As the title of Maupin’s new novel reveals, Michael Tolliver-“Mouse”-is alive.

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In Bohemian Los Angeles and the Making of Modern Politics, Daniel Hurewitz reconstructs the world of Edendale’s gay men, artists, and leftists, and sketches the origins of modern identity politics.

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IN THE PROLOGUE to his memoir, Include Me Out, Farley Granger recollects how, in December 2004, he was invited to a Luchino Visconti retrospective at the Brooklyn Academy of Music to view a restored print of Senso, the lavish 1958 melodrama in which he starred as an Austrian deserter who feigns love for a married Venetian countess and leads her into disrepute and an operatic act of revenge.

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ROBERT MCALMON. The name may seem familiar, but probably as an adjunct to some other writer. Born in 1895, as a teen he may have been in love with Gore Vidal’s father, as Vidal infers from McAlmon’s later novel Village. In 1921, although gay or bisexual himself, he accepted a marriage proposal from H.D.’s lover Bryher, an arrangement that got her family off her back and got him a solid income. I

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… Victoria Brownworth’s latest collection of fiction. Each one can be read as an exquisite eulogy for those who don’t survive the disasters of our time-unless they become vampires or succubi. …

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… She’s Not the Man I Married is both heartbreaking and, alas, rather tedious. On the one hand, it’s obvious that Boyd doesn’t want her husband to take the next step, but she loves him deeply and wonders if she can support him enough if he decides to become a “full-time woman.” …

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THIS BOOK is a great idea and, sadly, rather a great disappointment. The subject – broadly speaking, the relationship between the spiritual and sexual aspirations of three key gay male writers of the last century has long warranted investigation. It is only lately, and in passing, that Forster’s engagement with Eastern society and religion has been considered in the context of his sexuality.

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