A new biography by Leslie Brody, Sometimes You Have to Lie, is an exploration of Fitzhugh’s life in its social and historical context. One of Brody’s projects is to reveal the central conflicts in the life and fiction of her subject, who struggled with truth and falsehood, coming out versus staying in the closet, committing to work versus relationships, and other either/or dualities that arose in the course of her short life.
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100 Boyfriends is the fourth book by [Brontez] Purnell, who is also a musician, dancer, filmmaker, and performance artist. Indeed, the book is as much a loud, hard-core performance piece as it is a collection of stories: part rant, part stand-up comic routine, part gross-out shtick, part bravura Gen-X aria.
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While [Martin] Duberman ferrets out the private side of Andrea Dworkin, [in Andrea Dworkin: The Feminist as Revolutionary,] with aplomb, the public Dworkin, “huge and hollering,” as Ariel Levy once put it, is ever-present too. The events of her political career, often inseparable from her private hurts, are examined: …
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LEAVING Isn’t the Hardest Thing is a memoir that hasn’t got a tidy chronology or a crystal-clear resolution, and its language is often coarse. Yet Lauren Hough’s vivid, darkly humorous essays paint a fresh and powerful picture of two intertwined struggles.
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IN CONFESS, Rob Halford discloses the trials he faced behind the scenes while fronting the heavy metal band Judas Priest. This memoir is that of a man who was torn between being a pioneer in the macho genre of heavy metal—which indeed fashioned a whole new style of masculinity—and his self-discovery as a gay man with all the (mis-)adventures that came with it, which had to be kept under the radar.
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[O]ne can hope that future biographers will build on [Troy R.] Saxby’s exploration of the human side of Pauli Murray, so that she can take her place in the pantheon of LGBT thinkers and activists.
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Reviews of Funeral Diva, Let’s Get Back to the Party, If I Had Two Wings: Stories, and Kink: Stories.
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BLACK BOY Out of Time is a thought-provoking memoir on what it means to be Black and gay. Journalist Hari Ziyad connects the political and intellectual to the personal in recounting their family’s story.
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Plain Bad Heroines is a Gothic horror novel, but it’s also concerned with the power of stories and who gets to tell them. The Story of Mary MacLane really was an early 20th-century sensation, and its frank discussion of traditionally unspoken desires disrupts Libbie and Alex’ discreet life at Brookhants.
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[Sarah] Schulman states at the outset that her primary purpose in writing Let the Record Show “is not nostalgia, but rather to help contemporary and future activists learn from the past to assist organizing in the present” and to show “that people from all walks of life, working together, can change the world.”
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