Underexposed: Gerald Glaskin’s Fiction
WHEN BARRIE AND ROCKLIFF published Gerald Glaskin’s No End To The Way in 1965, it must have raised many eyebrows, not least in the British Home Office. This frank portrayal of a gay relationship between an Australian advertising executive (Ray) and a Dutch barman (Cor) was noteworthy for its absence of the “obligatory” tragic ending by death of the protagonist.
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