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WHEN BARRIE AND ROCKLIFF published Gerald Glaskin’s No End To The Way in 1965, it must have raised many eyebrows, not least in the British Home Office. This frank portrayal of a gay relationship between an Australian advertising executive (Ray) and a Dutch barman (Cor) was noteworthy for its absence of the “obligatory” tragic ending by death of the protagonist.

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… At a very early age I became aware of what I then considered my “deviant” sexuality. In my mind, it made sense that since people of such conflicting and deep ideological difference could seamlessly consider one another as kin, then wider acculturation of difference in sexuality should certainly follow. …

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“Among other common lies, we have the silent lie-the deception which one conveys by simply keeping still and concealing the truth. Many obstinate truth mongers indulge in this dissipation, imagining that if they speak no lie, they lie not at all … There is no art to a silent lie. It is timid and shabby.” Mark Twain (1882)

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Despite the high praise that he garnered and his place as a giant in the history of drag, Julian Eltinge is not well known anymore. At his height, he was one of the most famous and popular actors in America, performing to sellout crowds from Boston to Los Angeles.

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… How does one explicate the tangle of anomalies, abnormalities, and antinomies of double sex? Changing one’s sex has to be one of the all-time most mysterious and daunting of transformations, even exceeding the province of art. …

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THE SHORT FILM The Gendercator has been pulled from this year’s San Francisco Lesbian and Gay Film Festival by the festival producer Frameline at the behest of transgendered people and their supporters. Community organizers declare that the piece by lesbian filmmaker Catherine Crouch is “hateful” and that “there is no space for hatred and transphobia in our community institutions.” It leaves one to wonder how such an opinion can be formed by those who have yet to see the film.

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… While images of women in erotically suggestive situations are less widespread than comparable depictions of men in American advertising, women who seem to prefer the company of other women have been goosed and gandered by Madison Avenue from the turn of the 20th century to the mid-1960’s and beyond. Since becoming fascinated by what I perceived as homoerotic imagery in vintage advertising, I’ve collected and studied over 300 such ads.

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Due to the impact of the lectures that I gave at Mahachulalongkorn University, Koen Kaen and Roi Et campuses, I was very lucky to be invited to participate in the Fourth Annual International Buddhist Conference, held at the United Nations Conference Centre in Bangkok on May 26-29. Mahachulalongkorn University and the United Nations were the chief sponsors of this conference. With over a thousand people in attendance, there were only six Americans present, and I was honored to be one of those six.

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