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THE MUSIC AND LIFE of Leonard Bernstein are being celebrated around the world this year as we observe the centennial of his birth on August 25, 1918. Music lovers are being treated to thousands of classical concerts, talks about his career, screenings of the film West Side Story, and stage revivals of his Broadway musicals, such as On the Town and Candide. The scope of the celebration is due to Bernstein’s unique role in American music as a composer who spanned the worlds of Broadway and classical music, infusing symphonic richness into musicals and a modern sensibility into the concert hall, and leaving a lasting legacy in both art forms.

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            Infused throughout West Side Story is a gay sensibility that’s expressed subtextually in the relationship between the hero Tony and Riff, the leader of the Jets, and choreographically through the homoeroticism of the all-male dance sequences. Equally bold is the inclusion of the character named Anybodys, a teenage girl who identifies as a male and longs to be accepted as a full member of the Jets. Anybodys is Broadway’s first transgender youth.

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J.R.R. TOLKIEN’S CLASSIC WORK of fantasy literature The Hobbit has been enjoyed by millions of readers as a definitive story of escape. The book is equally cherished for the introduction of hobbits, an endearing variation on humanity. But the novel is much more psychologically profound and redolent with sexual symbolism than has been acknowledged by reviewers and Tolkien’s biographers.

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            What, then, is the truth about the author’s treatment of homosexuality in the original The Lord of The Rings? Are Jackson’s films faithful to Tolkien’s vision, or do they augment the story with contemporary sexual attitudes? Equally engaging is the question of the life of Tolkien, and the role that homosexuality played in his relationships with men, especially his attachment to the author C. S. Lewis and the literary circle known as “The Inklings.”

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What emerges from a reinterpretation of Forster is a rich body of work in which numerous gay characters and same-sex relationships are presented.

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            Shakespeare defied the constraints of the Elizabethan era in numerous plays, such as Hamlet, Romeo and Juliet, Troilus and Cressida, and Twelfth Night, which feature characters who violate the norms of gender or sexual behavior in their romantic relationships or their individual personae. In his cross-dressing comedies, such as Twelfth Night and As You Like It, gender rebellion and same-sex love are joyously intertwined.

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EVERY LANGUAGE makes assumptions and embodies biases so deeply embedded as to be invisible to its speakers. Every so often a cultural prejudice of this kind comes to light, as when people began to point out that English and many languages take for granted a gender dualism that’s typified by the third-person singular pronouns “he” and “she.” People who had once been silenced by this prejudice began to assert that this binary language did not correspond their sense of themselves as human beings.

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            Physical human contact, or even proximity, could now be deadly. So what about dating? hooking up? sex outside the home? Surprisingly, Grindr, Scruff, and their ilk have not disappeared. In fact, reports indicate that they are as busy as ever, but in a different way. Welcome to dating without meeting, hooking up without being there, virtual Tuesday night orgies on group video. Some of the hookup and dating apps themselves have adapted, adding video links for users who are so inclined.

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ERIC CERVINI is the author of The Deviant’s War: The Homosexual vs. the United States of America. The book is both a biography of gay rights activist Frank Kameny and a history of the times in which he lived and organized the first protests for homosexual rights in the 1950s and ‘60s.
This interview was conducted as part of a live, on-line series titled “Zooming through Queer Culture.”

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Even before Covid, some venues were already greatly diminished by the predominance of the Internet, but they were still clinging to life, only to now get a huge kick into oblivion by the pandemic.

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