Browsing: Film

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Guy Trebay captures the essential things about the sexual playground that was Manhattan during the transition from Doom to Glitter.

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And this is what Saltburn is really about: the seductions and pursuit of wealth and respect. The Cattons are depicted as pretty despicable people, emotionally attenuated, blithely unaware of the world, and often vicious to those around them. And yet, their lives of leisure and those fantastic parties are apparently too attractive to resist.

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“IF YOU’RE NOT CAREFUL, you’re going to die a lonely old queen.” That’s a harsh caveat, especially when spoken by one’s wife. In Maestro, directed, cowritten (with Josh Singer), and produced by Bradley Cooper, those lines are delivered by Carrie Mulligan playing actress Felicia Montealegre Cohn, also known as Mrs. Bernstein. Cooper also plays the part of Leonard Bernstein, but his performance takes a back seat to Mulligan’s. An Oscar for Best Actress is widely discussed.

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Maurice is placed by media professor David Greven in a tradition of melancholy and lyrical gay films exemplified by Ang Lee’s Brokeback Mountain, and later Luca Guadagnino’s Call Me By Your Name. Will & Grace’s pedigree is more I Love Lucy.

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Rustin does an excellent job of confronting directly the homophobia that Rustin faced from other African-American leaders while also capturing his charisma as a political organizer and strategist.

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Reviews of Queer Heroes of Myth and Legend: A Celebration of Gay Gods, Sapphic Saints, and Queerness Through the Ages, Spring in Siberia, A Novel, Movies that Made Me Gay, Who Does that Bitch Think She Is? Doris Fish and the Rise of Drag, and The Queer Film Guide.

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LIKE PASSAGES, Ira Sachs’ latest film, his 2014 film Love Is Strange had a gay couple at its center. But while the earlier film featured a longtime pair of sympathetic aging men (John Lithgow and Alfred Molina) living apart under forced economic circumstances, Passages focuses on two thirty-something married artists who prosper on the cultural cutting edge, with an apartment in Paris and a modest retreat in the country. One of them, Tomas (Franz Rogowski), a film director originally from Germany, experiments sexually with a woman, Agathe (Adèle Exarchopoulos), and, finding satisfaction in the adventure, matter-of-factly informs his British husband Martin (Ben Whishaw) of this episode.

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While he had made a couple of earlier short films, Fassbinder didn’t get to direct his first feature film until 1969. The film was Love Is Colder Than Death, a gangster movie that imitates similar films from Hollywood from the 1930s up to the 1950s, starring himself as a criminal torn between his love for two women and his friendship with another man.

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Short reviews of the books RAVING: Practices by McKenzie Wark, QUEER PRINT IN EUROPE edited by Glyn Davis and Laura Guy, AMERICAN CLASSICIST: The Life and Loves of Edith Hamilton by Victoria Houseman, and WHEN LANGUAGE BROKE OPEN: An Anthology of Queer and Trans Black Writers of Latin American Descent Edited by Alan Pelaez Lopez; and the film FRAMING AGNES directed by Chase Joynt.

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