Browsing: Film

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LUCKY WERE THE STUDENTS enrolled in the course on queerness in American cinema taught by Michael Koresky, film critic and editorial director of the Museum of the Moving Image at NYU’s Tisch School of the Arts. Sick and Dirty: Hollywood’s Gay Golden Age and the Making of Modern Queerness is the resultant comprehensive study of the period from the 1930s to the 1960s, covering the broad scope of censorship by the Motion Picture Production Code, commonly known as the “Hays Code” after the man who adopted and enforced it.

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It’s high time we had a CD devoted entirely to piano music by gay and lesbian composers—and not played by just any pianist, but by the internationally renowned David Kadouch. Born in Nice in 1985, Kadouch has been praised for his elegance, insight, emotional power, and eloquence as a performer—all of which are on display here.

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Reviews of the books Red Hot + Blue, by John Garrison, The Very Heart of It: New York Diaries, 1983-1994 by Thomas Mallon, and Nonbinary Jane Austen; and the movie, Clean Slate

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Reviews of the movies: Some Nights I Feel Like Walking, The Wedding Banquet, The Rebrand, I’m Your Venus, and Heightened Scrutiny

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A NICE INDIAN BOY is an exuberant film as well as a touching celebration of unconventional romantic love defying expectations. Director Roshan Sethi’s film also touches upon issues of family loyalty, cultural misunderstanding, and intergenerational conflict.

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This movie feels like a journey, even an adventure, not only to a different time and place—into the Amazon, along for a psychedelic trip—but further inward. If each person contains an entire universe, Guadagnino, like [William S.] Burroughs, endeavors to chart a course for the stars, despite the deep holes that await him along the way.

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DIRECTOR ANDREA ARNOLD’s new film, Bird, which she both wrote and directed, premiered at NewFest, New York City’s annual LGBTQ+ film festival. It’s an unsparing yet sympathetic look into the hardscrabble life of the tough but vulnerable twelve-year-old Bailey, played by newcomer Nykiya Adams, an interracial girl who more-or-less presents as a boy, and her rambunctious father, “Bug,” played with screen-stealing gusto by the Irish actor Barry Keoghan, who recently rocketed to fame in Saltburn.

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Maya Cantu’s meticulously researched biography, Greasepaint Puritan: Boston to 42nd Street in the Queer Backstage Novels of Bradford Ropes, reveals the extent to which Ropes based his backstage novels on his own Broadway experiences.

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Challengers stars Zendaya (already a Gen Z icon because of her role as Rue Bennett on Max’ lurid Euphoria series) as Tashi, Josh O’Connor (a young King Charles III on The Crown) as Patrick, and the lesser-known Mike Faist (a standout in the role of Riff in Spielberg’s West Side Story) as Art.

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