Browsing: Memoir

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[Unrequited Love] is filled with reminiscences about Altman’s friendships with authors like Christopher Isherwood, Gore Vidal, and Edmund White, as well as insightful commentary on other novelists. He notes, for example, that André Aciman, who is straight, gently avoids answering questions about whether Call Me by Your Name is based on his own life experiences.

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FROM THE START, John Giorno wanted two things in life. In 1958, “I was young and beautiful and that got what me what I wanted and all I wanted was sex,” he recounts in his post-humously published book, Great Demon Kings. What we learn early on in this royal paean to the self is that Giorno (1936–2019), who was a poet, an artist, and an activist, had an insatiable appetite for fame. Upon reading this memoir, one realizes that he possessed a surfeit of libido and ego, in addition to a talent for befriending talented people, to launch him toward this goal.

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            What makes this memoir special to some reviewers is that it is a creative nonfiction memoir that involves two women. In it, the narrator recounts her infatuation as a graduate student with an unnamed woman she meets at the Iowa Writer’s Workshop. In the Dream House is a phantasmagoria of Machado’s feelings about an abusive relationship with a charming, unstable, upper-class woman years after it ended.

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HOW WE FIGHT for Our Lives is a deeply compelling and personal memoir about growing up black and gay in a world where being either can be challenging, and the combination can be deadly.

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ON MAY 25, 1959, Joseph Caldwell was walking across the Brooklyn Bridge at dawn on his way to his tenement apartment in lower Manhattan. So begins his memoir In the Shadow of the Bridge.

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CHANTAL AKERMAN’S memoir My Mother Laughs is similar to her films: layered, defying time and space, concerned with the quotidian. Her work is woman-centered, often lesbian-centered, and focused on describing the position of women in society, including how the oppressive forces of patriarchy inflict both physical and emotional trauma on women.

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Short reviews of History’s Queer Stories, A Wild and Precious Life, and The Householders.

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Peter McGough’s memoir I’ve Seen the Future and I’m Not Going captures the silly, desperate decade they lived through and the peculiar ménage which is their major work of art.

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FROM the opening pages of this heart-felt memoir, Mama’s Boy: A Story from Our Americas, by Dustin Lance Black, we learn that it is not only a story about his life’s journey but also of his mother Anne and her remarkable life story.

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IT HAS BEEN three decades since Andy Warhol died at New York Hospital (on February 22, 1987) of complications from gall bladder surgery. In 2017, over a dozen books about Warhol or his art, ranging from the frivolous to the academic, were published. After Andy and 3D Warhol can be found at either end of that spectrum.

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