
When Gorey Really Got Creative
Best known as a writer and illustrator, Edward Gorey (1925–2000) was also a theater enthusiast. He designed the sets and costumes for Broadway’s Dracula, winning the 1978 Tony Award for Best Costume Design.
MoreBest known as a writer and illustrator, Edward Gorey (1925–2000) was also a theater enthusiast. He designed the sets and costumes for Broadway’s Dracula, winning the 1978 Tony Award for Best Costume Design.
MoreMaya Cantu’s meticulously researched biography, Greasepaint Puritan: Boston to 42nd Street in the Queer Backstage Novels of Bradford Ropes, reveals the extent to which Ropes based his backstage novels on his own Broadway experiences.
MoreSeasons of Love traces the influence of Rent on theatrical productions with LGBT elements since 1996 and on composers such as Lin-Manuel Miranda, who directed Tick, Tick… Boom!, a film about Larson’s efforts to create a musical earlier in his career.
MoreCHARLES BUSCH’S landmark plays for the Theatre-in-Limbo (1984-1991) were the product of a very particular yet short-lived cultural moment, the final flourishing of the Theater of the Ridiculous movement that goes back to the mid-1960s and is most closely associated with Charles Ludlam.
MoreGuy Trebay captures the essential things about the sexual playground that was Manhattan during the transition from Doom to Glitter.
MoreDURING HIS LIFETIME, Terrence McNally saw seventeen of his plays and musicals premiere on Broadway, and along the way he developed a tenacity and maintained a relevance that has eluded most American playwrights in their later years. Conversations with Terrence McNally, edited by Raymond-Jean Frontain, helps to illuminate a writer whose work has not always shown up on the literary radar of critics and tastemakers.
MoreTHE LYRICS from a song in Stephen Sondheim’s dazzling Broadway show Sunday in the Park with George (1983) include these lines: “Bit by bit,/ Putting it together./ Piece by Piece—/ Only way to make a work of art./ Every moment makes a contribution,/ Every little detail plays a part./ Having just the vision’s no solution,/ Everything depends on execution:/ Putting it together/ That’s what counts.” Stephen M. Silverman’s lush, posthumous coffee table compendium of Sondheim’s career, Sondheim: His Life, His Shows, His Legacy, does exactly that. It puts it all together to make an exhilarating work of art in its own right.
More“IF YOU’RE NOT CAREFUL, you’re going to die a lonely old queen.” That’s a harsh caveat, especially when spoken by one’s wife. In Maestro, directed, cowritten (with Josh Singer), and produced by Bradley Cooper, those lines are delivered by Carrie Mulligan playing actress Felicia Montealegre Cohn, also known as Mrs. Bernstein. Cooper also plays the part of Leonard Bernstein, but his performance takes a back seat to Mulligan’s. An Oscar for Best Actress is widely discussed.
MoreChristopher Byrne’s biography, “A Man of Much Importance,” is welcome on several counts. First, despite the choppy way that it consigns McNally’s plays, operas, and work for television to separate chapters, the book does offer an accurate overview of McNally’s life that’s surprising in some of its details. For example, while McNally had spoken publicly about his parents’ alcoholism and his father’s beating him for his artsy behaviors and sassy comebacks as he grew up in Corpus Christi, Byrne is the first to report that McNally’s mother “interfered” (Byrne’s word) with him during his teenage years, which perhaps explains the sexually troubled relationship between mothers and sons in his plays.
MoreBooks under review: Gays on Broadway by Ethan Mordden, and Gender, Sex, and Sexuality in Musical Theatre by Kelly Kessler.
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