What Friends Were For
The Friend by Alan Bray University of Chicago Press 380 pages, $40. THE FRIEND begins with the author’s dramatic discovery two decades ago at Christ’s College, Cambridge,…More
Blog Posts
Darwin’s Dead Ends
The Gilded Age Construction of Modern American Homophobia by Jay Hatheway Palgrave Macmillan 232 pages, $45. Jay Hatheway’s The Gilded Age Construction of Modern American Homophobia traces the…More
Everybody knows that the Bird is the Word
Language and Sexuality by Deborah Cameron and Don Kulick Cambridge University Press 176 pages, $21. (paper) “WHAT IS SEX?” Language and Sexuality opens with a question that was…More
Not for Every Coffee Table
Art—A Sex Book John Waters and Bruce Hainley Thames & Hudson 208 pages, $29.95 (paper) The comedies of John Waters are practical exercises in æsthetic philosophy. This theme…More
Loving Him Madly
The Concrete Sky is a bona fide page-turner, one of those stories that could go in just about any direction and ultimately does. Despite the sometimes implausible plot turns, Moore makes you care about his boys on the run and offers satisfaction that two mismatched people can find each other despite the chaos in their lives.
MoreDid Being Gay Matter?
Rick Whitaker introduces the essays in his new book, The First Time I Met Frank O’Hara: Reading Gay American Writers, by suggesting that a writer’s sexuality may influence not only what he writes, but also how he writes. While this is nothing new in the realm of literary inquiries, it’s a worthy question and will snag the attention of many readers.
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Short Reviews
Reviews of The Strange Case Of Edward Gorey, The Sharon Kowalski Case: Lesbian and Gay Rights on Trial, Contemporary Dynamic Approaches, and Natural Trouble.
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Hunks in the Hollow
War Against the Animals by Paul Russell St. Martin’s Press. 358 pages, $24.95 THE PREMISE of Paul Russell’s fifth novel, War Against the Animals, quickly unspools to reveal…More
Letters to the Editor
Readers’ thoughts
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Melissa Etheridge: Hitched, Happy, and On Tour
Melissa Etheridge has been a lesbian rock icon since 1988, when audiences who had not heard her at clubs and women’s music festivals grabbed her debut album on Island Records. Defying the odds by succeeding in the mainstream as a woman rocker whose work won coverage on VH1 and MTV, as well as in lesbian publications and Rolling Stone, Melissa came out publicly at Bill Clinton’s inauguration in January 1993, and then performed at the March on Washington for gay and lesbian rights later that spring, wrapping up the year with the fall 1993 release of an album defiantly entitled Yes, I Am.
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