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AS JACK KEROUAC’S centennial year draws to a close, I have been contemplating the open book of his sexuality. He married three times, had countless affairs with women, and was not above crude expressions of homophobia. However, he allied himself with his gay friends Allen Ginsberg and William S. Burroughs in the creation of the Beat Movement, and, according to Ginsberg, there were times when Kerouac had sex with him or other men.

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            Who did read Merrick’s books? Not his agent, Merrick eventually realized, or even his editor at Avon Books. But thousands of fans did. Sales figures are sprinkled throughout Joseph M. Ortiz’ new biography, Gordon Merrick and the Great Gay American Novel. One refers to over a million books sold. They did well in France and England. French critics considered Merrick a “serious” novelist. It helped that Merrick was fluent in French (one reason the OSS hired him), and so did the fact that he was critical of his own country’s shortcomings.

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THE FIRST GLIMPSE I had of Thom Gunn was his picture in a poetry anthology titled The Modern Poets, edited by John Malcolm Brinnin and William Read. It was assigned as a textbook in an English literature class I was taking at Emory University in 1963, with consequences for me that the teacher could not have anticipated. That anthology was the first to include pictures of the poets alongside their selection, a bonus that always makes the reader curious about how the writer’s appearance bears on the work itself.

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The work of Kinsey, Hooker, and others all emboldened a new brand of post-Stonewall gay liberation activists ready to engage in dramatic and confrontational tactics, including disrupting APA meetings and demanding equal time to refute the theories of homosexual pathology.

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The following speech by the late Barbara Gittings first appeared in The G&LR’s July-August 2007 issue. The speech was delivered on October 7, 2006, on the occasion of Gittings’ acceptance of the American Psychiatric Association’s Fryer Award for her contribution to GLBT mental health.

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Editor’s Note: This “Open Letter” started as a lengthy letter to the editor, but it was too long for that format and warranted more prominent placement. The author was so kind as to adapt the letter to this format.

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IN FEVER SPORES, an eclectic collection of essays and interviews about writer William S. Burroughs, editors Brian Alessandro and Tom Cardamone make a pitch for Burroughs’ place in the “gay canon,” arguing that the novelist “has been sainted by the literary establishment in general but not the gay literati in particular.”

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            A Woman’s Battles and Transformations strikes me as the least angry and the least politically charged of Louis’ four books. In revisiting the same material, I wondered if he had run out of something new to say. Early on in the book, Louis anticipates this possible criticism: “I want to write only the same story again and again, returning to it until it reveals fragments of its truth.” It’s that fierce, determined quest to get at the truth—even “fragments” of the truth—behind poverty, class, gender domination, racism, and homophobia that makes Édouard Louis an author well worth reading no matter how many times he hits the same notes.

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            Making the Rounds is alive with passion and tumult, a discovery narrative in which the writer comes to recognize herself as capable of love. More reflection on the transformation might have been nice. But then again, the journey was hectic!

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