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All the Rage is a memoir for a wide range of readers. Every young person who aspires to be an artist should read it. Anyone who wants to better understand how potentially self-destructive anger can be transformed into art should too. It ought to be required reading for critics and scholars who want to understand the arc of Fraser’s career up to 1999.

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FRANCES BINGHAM has written a biography that reads like an Iris Murdoch novel, specifically A Fairly Honourable Defeat. It’s a moving portrait of the life of British poet Valentine Ackland (1906–1969), but it’s also about her longtime companion Sylvia Townsend Warner (1893–1978), an accomplished novelist and poet.

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Reviews of MY PLACE AT THE TABLE: A Recipe for a Delicious Life in Paris, A DUTIFUL BOY: A Memoir of a Gay Muslim’s Journey to Acceptance, BEFORE STONEWALL, THE SECRET TO SUPERHUMAN STRENGTH, and RELEASED FROM THE WHEEL.

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JAMES MERRILL (1926–1995) was one of the most honored and admired American poets of the second half of the 20th century. As Stephen Yenser puts it in the introduction to A Whole World: Letters from James Merrill, Merrill was “different from both his debonair contemporaries in the New York School and the more theatrical and publicized ‘confessional’ poets.”

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THE SACRED BAND is a tourist’s guide to events that took place between 378 and 338 BCE in the location of today’s Greece, but in fact the time period covered includes explanatory material and connective tissue from somewhat earlier times in a region spanning from Sicily to Persia.

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            Radiant offers a well-researched account of the scientific and creative processes of two driven experimenters who reached worldwide fame. Marie Curie helped inaugurate the atomic age, with unhappy as well as positive consequences. The institute she founded in Paris is now a research center focused on biophysics, cell biology, and oncology, with an affiliated hospital. Fuller’s impact likewise persists.

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Kubrick’s Men doesn’t stoop to psychoanalyzing a director who was far smarter than most of his critics. He simply turns a very keen eye on the photography and the films. As such, this book may be of interest chiefly to Kubrick admirers. But even if Rambuss ends up merely wondering why the homosexuality is there, and even if one hasn’t seen all the movies discussed, this is a real labor of love.

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Center Center fabulously combines playfulness and profundity in telling the story of a talented, driven dancer who pursues life to the fullest and repeatedly asks: “Why Not?”

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Mary Meigs and Barbara Deming shared a preference for an austere life close to nature, and political involvement based on the principle of nonviolence.

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As for [Grant’s] relationship with “Randy Scott,” you’ll have to read Eyman’s sensitive if sometimes dark account of Grant to draw your own conclusions. Eyman provides background on the Hollywood studio system and its many players while sounding the depths of Grant’s emotional turmoil. Randolph Scott’s place in the puzzle of Grant’s emotional life is best discovered by reading this often entertaining but sometimes intentionally confounding life story of one of Hollywood’s great stars.

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