July-August 2006
FUNNY, MOVING, FURIOUS, and dazzling, Eleanor Lerman’s Our Post-Soviet History Unfolds (Sarabande, 2005) sounds the note of the times, the era of American Imperialism, the days of our Bush-filled lives. Lerman is able to capture brilliantly the wacky and weary sense of stymied idealism of a generation that grew up hoping for better things for America.
MoreOn the release of her latest album Folk is the New Black, the singer-songwriter spoke with me in person for the G&LR.
MoreMY PARTNER in commitment claims he is straight, always has been straight, and could never imagine himself engaging in sexual activity other than with a woman. He says he did not choose his straightness, this is just the way things are.
MoreTHE NAME “Ivor Novello” is perhaps only recognized on these shores by those Robert Altman movie fans who saw the director’s stylish British manor house whodunit Gosford Park (2001).
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FROM SHAKESPEARE to Mrs. Doubtfire, gender deception as a plot device usually has a predictable trajectory. The elaborate subterfuge, no matter how it’s initially conceived, ends up revealing more to the deceiver than s/he ever anticipated. After much hand-wringing, not to mention comedy, the costume comes off, the truth comes out, hearts are (perhaps) broken and mended, and valuable lessons are learned. Much of the same can be said for Norah Vincent’s unique book, Self-Made Man …
MoreTHOMAS GLAVE describes himself as “a Jamerican” to reflect both his Jamaican and his American heritage. Indeed, he often has difficulty reconciling these two identities: traveling back and forth between the two countries, he often wonders “which passport to use on this trip or that one, Jamaican or U.S.-which citizen will I be this time (re-)entering ‘my’ country?”
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